O dear! what can the matter be: Difference between revisions
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|:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | |:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | ||
dBc dBc|dBg dBG|EGc BcA|G3 z2:|] | dBc dBc|dBg dBG|EGc BcA|G3 z2:|] | ||
</pre> | |||
<pre> | |||
X: 1 | |||
T:Oh Dear what can the matter be. TS.003 | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=100 | |||
S:Thomas Sands' MS,1810,Lincolnshire | |||
R:glee | |||
O:Lincolnshire | |||
Z:vmp.Ruairidh Greig, 2011 | |||
K:G | |||
d3d3|dBg dBG|c3c3|cAB cBA|! | |||
d3d3|dBg dBG|EAc BcA|G3G3:|! | |||
|:dBc dBc|dBg dBG|cAB cAB|cAB cBA|! | |||
dBc dBc|dBg dBG|EAc BcA|G3G3:|] | |||
</pre> | |||
<pre> | |||
X: 1 | |||
T:What Can The Matter Be.. JaW.293 | |||
T:Oh,Dear, What Can The... JaW.293 | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=100 | |||
S:James Winder Ms, Lancashire, 1835-41 | |||
R:.Air | |||
O:England | |||
A:Wyresdale,Lancashire | |||
N:..Johnny Stops Long At The Fair. | |||
Z:vmp.Chris Partington, Aug 2004 | |||
K:C | |||
d3d3|dBg dBG|c3c3|cAB cBA|! | |||
d3d3|dBg dcB|Eed cBA|G3G3:|! | |||
|:d|dBc dBc|dBg dBG|cAB cAB|\ | |||
"not clear from here"cBA GFE|! | |||
dBc dBc|dBd dBG|Eed cBA|G3zz2:| | |||
</pre> | |||
<pre> | |||
X: 1 | |||
T:Oh Dear What Can The Matter Be?2voices. AJH.006 | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=100 | |||
S:A.J.Hughes MS | |||
O:England | |||
A:North Shropshire | |||
Z:Neil Brookes 2006 | |||
V:1 clef=treble | |||
V:2 clef=bass | |||
%%staves {1 2} | |||
K:G | |||
[V:1] |: "_rest added"z|d3 d3 | dBg dBG | c3 c3 | cAB cBA | | |||
[V:2] |: z|G,B,G, F,D,F, | G,3 G,2F, | E,G,C C,E,G, | D,3 D,3 | | |||
% | |||
[V:1] d3 d3 | dBg dBG | EGc BcA | G3 z2 :| | |||
[V:2] G,B,G, F,D,F, | G,3 G,3 | C,3 D,3 | G,D,B,, G,,2 :| | |||
% | |||
[V:1] |: d | dBc dBc | dBg dBG | cAB cAB | cAB cBA | | |||
[V:2] |: z | G,3 G,3 | G,3 G,3 | D,3 D,3 | D,3 D,3 | | |||
% | |||
[V:1] dBc dBc | dBg dBG | EGc BcA | G3"_dotted in MS" G2 :| | |||
[V:2] G,3 G,3 | G,3 G,3 | B,,3 D,3 | G,D,B,, G,,2 :| | |||
</pre> | |||
<pre> | |||
X: 1 | |||
T:Oh Dear What Can The Matter Be. JC.012 | |||
R:air | |||
S:John Clare,Poet,Helpston. (1793-1864) | |||
N:Modern practice would have the dotted minims as two dotted crotchets | |||
N:slurred, to ease readability. CGP. | |||
N:Song text exists. See Deacon. | |||
O:England | |||
A:Northamptonshire | |||
Z:vmp.P. Headford | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=120 | |||
K:D | |||
e3e3|\ | |||
eca ecA|d6|dBc dcB|! | |||
e6|eca ecA|FAd cdB|A3z2:|! | |||
|:e|ecd ecd|eca ecA|dBc dBc|dBc dcB|! | |||
ecd ecd|eca ecA|FAd cdB|A6:| | |||
</pre> | </pre> | ||
<pre> | <pre> |
Revision as of 23:21, 13 September 2014
Tune annotations
X:1 T:O dear what can the matter be M:G L:1/8 R:Air N:"Slow" B:Aird - Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 15, p. 6) Z:AK/Fiddler's Companion K:G d3 d3|dBg dBG|c3 c3|cAB cBA| d3 d3|dBg dBG|EGc BcA|G3 z2:| |:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| dBc dBc|dBg dBG|EGc BcA|G3 z2:|]
X: 1 T:Oh Dear what can the matter be. TS.003 M:6/8 L:1/8 Q:3/8=100 S:Thomas Sands' MS,1810,Lincolnshire R:glee O:Lincolnshire Z:vmp.Ruairidh Greig, 2011 K:G d3d3|dBg dBG|c3c3|cAB cBA|! d3d3|dBg dBG|EAc BcA|G3G3:|! |:dBc dBc|dBg dBG|cAB cAB|cAB cBA|! dBc dBc|dBg dBG|EAc BcA|G3G3:|]
X: 1 T:What Can The Matter Be.. JaW.293 T:Oh,Dear, What Can The... JaW.293 M:6/8 L:1/8 Q:3/8=100 S:James Winder Ms, Lancashire, 1835-41 R:.Air O:England A:Wyresdale,Lancashire N:..Johnny Stops Long At The Fair. Z:vmp.Chris Partington, Aug 2004 K:C d3d3|dBg dBG|c3c3|cAB cBA|! d3d3|dBg dcB|Eed cBA|G3G3:|! |:d|dBc dBc|dBg dBG|cAB cAB|\ "not clear from here"cBA GFE|! dBc dBc|dBd dBG|Eed cBA|G3zz2:|
X: 1 T:Oh Dear What Can The Matter Be?2voices. AJH.006 M:6/8 L:1/8 Q:3/8=100 S:A.J.Hughes MS O:England A:North Shropshire Z:Neil Brookes 2006 V:1 clef=treble V:2 clef=bass %%staves {1 2} K:G [V:1] |: "_rest added"z|d3 d3 | dBg dBG | c3 c3 | cAB cBA | [V:2] |: z|G,B,G, F,D,F, | G,3 G,2F, | E,G,C C,E,G, | D,3 D,3 | % [V:1] d3 d3 | dBg dBG | EGc BcA | G3 z2 :| [V:2] G,B,G, F,D,F, | G,3 G,3 | C,3 D,3 | G,D,B,, G,,2 :| % [V:1] |: d | dBc dBc | dBg dBG | cAB cAB | cAB cBA | [V:2] |: z | G,3 G,3 | G,3 G,3 | D,3 D,3 | D,3 D,3 | % [V:1] dBc dBc | dBg dBG | EGc BcA | G3"_dotted in MS" G2 :| [V:2] G,3 G,3 | G,3 G,3 | B,,3 D,3 | G,D,B,, G,,2 :|
X: 1 T:Oh Dear What Can The Matter Be. JC.012 R:air S:John Clare,Poet,Helpston. (1793-1864) N:Modern practice would have the dotted minims as two dotted crotchets N:slurred, to ease readability. CGP. N:Song text exists. See Deacon. O:England A:Northamptonshire Z:vmp.P. Headford M:6/8 L:1/8 Q:3/8=120 K:D e3e3|\ eca ecA|d6|dBc dcB|! e6|eca ecA|FAd cdB|A3z2:|! |:e|ecd ecd|eca ecA|dBc dBc|dBc dcB|! ecd ecd|eca ecA|FAd cdB|A6:|
X:2 T:Oh, Dear, What Can the Matter Be? M:6/8 L:1/8 R:Air S:O'Neill - Music of Ireland No. 620 (1903) Z:AK/Fiddler's Companion K:G d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| dBc dBc|dBg dBG|DGc BcA|G3 z2|| B|d3d3|dBg dBG|c3 ccc|cAB cBA| d3 ddd|dBg dBG|DGc BcA|G3 z2||