Annotation:Virginia Reel (1): Difference between revisions

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VIRGINIA REEL [1]. AKA and see "Lord MacDonald (4)," "Leather Breeches," "Leather Britches." American (Scottish, originally), Reel. G Major. Standard tuning (fiddle). AABB. The tune is the Scottish "Lord MacDonald's Reel", a great favorite with fiddlers because of its rhythmic back and forth "sewing" motion when bowing the pattern between strings. The earliest publication of the tune with the "Virginia" title is on a single sheet (perhaps detached from a book) published by George P. Reed in Boston in 1812, where "Lord MacDonald's Reel" is given as an alternate title.

The name "Virginia Reel" is (in)famous as a "floating" title, applied to many and varied tunes that have been used as a vehicle for the dance. Some that have been called "Virginia Reel" include "Sir Roger de Coverly," "Miss McCloud's Reel," "Old Dan Tucker" and others (see Burchenal, 1918). Mark Twain wrote in a letter to the Virginia City Territorial Enterprise dated January, 1863, that: "We consider that any man who can fiddle all through one of those Virginia Reels without losing his grip, may be depended upon in any kind of musical emergency." The dance The Virginia Reel is derived from the English country dance "Sir Roger de Coverly."

Paul Tyler finds this vignette in W.H. Venable’s Footprints of the Pioneers of the Ohio Valley: A Centennial Sketch (1888):

The old-time apple-cutting was an occasion of unbounded mirth. . . . After the apples were cut, and the cider boiled, the floor was cleared for a "frolic," technically so-called, and merry were the dancers and loud the songs with which our fathers and mothers regaled the flying hours. The fiddler was a man of importance, and when, after midnight, he called the "Virginia Reel," such shouting, such laughter, such clatter of hilarious feet upon the sanded puncheon floor, startled the screech-owl out of doors, and waked the baby from its sweet slumber in the sugar-trough. . . . The apple-cutting was fifty years ago...

Source for notated version:

Printed sources: Ford (Traditional Music in America), 1940; p. 108.

Recorded sources:

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 '''VIRGINIA REEL [1].''' AKA and see "[[Lord MacDonald (4)]]," "[[Leather Breeches]]," "[[Leather Britches]]." American (Scottish, originally), Reel. G Major. Standard tuning (fiddle). AABB. The tune is the Scottish "Lord MacDonald's Reel", a great favorite with fiddlers because of its rhythmic back and forth "sewing" motion when bowing the pattern between strings. The earliest publication of the tune with the "Virginia" title is on a single sheet (perhaps detached from a book) published by George P. Reed in Boston in 1812, where "Lord MacDonald's Reel" is given as an alternate title.
 [[File:virginiareel.JPG|200px|thumb|left|]]
-In actuality this is a famous "floating" title applied many and various tunes which have been used for the dance and have claimed the title of "Virginia Reel," including "[[Sir Roger de Coverly]]," "[[Miss McCloud's Reel]]," "[[Old Dan Tucker]]" and others (see Burchenal, 1918). Mark Twain wrote in a letter to the Virginia City Territorial Enterprise dated January, 1863, that: "We consider that any man who can fiddle all through one of those Virginia Reels without losing his grip, may be depended upon in any kind of musical emergency." The dance The Virginia Reel is derived from the English country dance "Sir Roger de Coverly."
+The name "Virginia Reel" is (in)famous as a "floating" title, applied to many and varied tunes that have been used as a vehicle for the dance. Some that have been called "Virginia Reel" include "[[Sir Roger de Coverly]]," "[[Miss McCloud's Reel]]," "[[Old Dan Tucker]]" and others (see Burchenal, 1918). Mark Twain wrote in a letter to the Virginia City Territorial Enterprise dated January, 1863, that: "We consider that any man who can fiddle all through one of those Virginia Reels without losing his grip, may be depended upon in any kind of musical emergency." The dance The Virginia Reel is derived from the English country dance "Sir Roger de Coverly."
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