Brown Maid (The): Difference between revisions
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|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AB | |f_structure=AB | ||
|f_book_title=Gems | |f_book_title=Gems of Ireland: 200 Airs | ||
|f_collector= | |f_collector=John Clinton | ||
|f_year= | |f_year=1841 | ||
|f_page=No. | |f_page=No. 38, p. 19 | ||
|f_theme_code_index=6542 2110 | |f_theme_code_index=6542 2110 | ||
}} | }} | ||
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L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
N: | N:”Dolce” | ||
B:John Clinton – Gems of Ireland: 200 Airs (1841, No. 38, p. 19) | |||
Z:AK/ | H:Irish-born Clinton was a flute teacher for the Royal Academy, London | ||
K: | Z:AK/Fiddler’s Companion | ||
K:Bb | |||
“Pensively”(b>a)|(gfd).f (ed).c.B|(c>dB).B .B2 z.B|(edc).B (def).f| | |||
(g/a/b) a.g f2 (b>a)|(gfd).f (ed).c.B|(c>dB).B B2 z B{cB=AB}| | |||
(ed){d}(cB) (de) (=e/f/{a}g/f/)|(g/a/b) a.g f2 zf|(ed)(cB) .B z(c>d)|(fbab) {a}!fermata!g2 (b>a)| | |||
(gfd>).f (edcB)|(G<B) (B>c) B2 z.f|(ed){d}(c>B) >Bz (c>d)| | |||
(fb) a{ba^ga}(c'/>b/) {f}!fermata!g2 (b>a)|(gfd>).f (ed){d}(cB)|(GB) (B>{d}c) !fermata!B2|| | |||
</pre> | </pre> | ||
<pre> | <pre> | ||
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fe|dcAc BAGF|G>AFF F3F|BAGF A>B cc|d/e/f ed c3c| | fe|dcAc BAGF|G>AFF F3F|BAGF A>B cc|d/e/f ed c3c| | ||
BAGF F2 GA|cfef edf>e|dcAc BAGF|D2 F>G F2|| | BAGF F2 GA|cfef edf>e|dcAc BAGF|D2 F>G F2|| | ||
</pre> | |||
<pre> | |||
X:1 | |||
T:Brown Maid, The | |||
M:C | |||
L:1/8 | |||
R:Air | |||
N:"With expression" | |||
S:O'Neill - Music of Ireland (1903), No. 154 | |||
Z:AK/Fiddler's Companion | |||
K:F | |||
f>e | dcAc BAGF | G>AFF F2 zF | BAGF A>Bcc | d/e/f ed c2 zc | | |||
BAGF F2 zG>A | cfef {e}d2 f>e | d>cAc BAGF | DFF>G F2 || | |||
F>G | ABcd cAGF | Acde f2 zc | fedc AdcA | DEFA G2 F>G | | |||
ABcd cAGF | Acde f2 f>e | dcAc BAGF |DFF>G F2 || | |||
</pre> | </pre> | ||
---- | ---- | ||
Revision as of 04:01, 28 October 2014
Tune annotations
X:1
T:Brown Maid, The
M:C
L:1/8
R:Air
N:”Dolce”
B:John Clinton – Gems of Ireland: 200 Airs (1841, No. 38, p. 19)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:Bb
“Pensively”(b>a)|(gfd).f (ed).c.B|(c>dB).B .B2 z.B|(edc).B (def).f|
(g/a/b) a.g f2 (b>a)|(gfd).f (ed).c.B|(c>dB).B B2 z B{cB=AB}|
(ed){d}(cB) (de) (=e/f/{a}g/f/)|(g/a/b) a.g f2 zf|(ed)(cB) .B z(c>d)|(fbab) {a}!fermata!g2 (b>a)|
(gfd>).f (edcB)|(G<B) (B>c) B2 z.f|(ed){d}(c>B) >Bz (c>d)|
(fb) a{ba^ga}(c'/>b/) {f}!fermata!g2 (b>a)|(gfd>).f (ed){d}(cB)|(GB) (B>{d}c) !fermata!B2||
X:2 T:Brown Maid, The M:C L:1/8 N:Andante R:Air B:P.H. Hughes - Gems from the Emerald Isle (c. 1860's, No. 93, p. 22) Z:AK/Fiddler's Companion K:F fe|dcAc BAGF|G>AFF F3F|BAGF A>B cc|d/e/f ed c3c| BAGF F2 GA|cfef edf>e|dcAc BAGF|D2 F>G F2||
X:1
T:Brown Maid, The
M:C
L:1/8
R:Air
N:"With expression"
S:O'Neill - Music of Ireland (1903), No. 154
Z:AK/Fiddler's Companion
K:F
f>e | dcAc BAGF | G>AFF F2 zF | BAGF A>Bcc | d/e/f ed c2 zc |
BAGF F2 zG>A | cfef {e}d2 f>e | d>cAc BAGF | DFF>G F2 ||
F>G | ABcd cAGF | Acde f2 zc | fedc AdcA | DEFA G2 F>G |
ABcd cAGF | Acde f2 f>e | dcAc BAGF |DFF>G F2 ||