Dear Black Maid (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Dear Black Maid (The) | |f_tune_title=Dear Black Maid (The) | ||
|f_aka=How oft has the benshee cried, | |f_aka=How oft has the benshee cried, | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
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<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | ||
---- | ---- | ||
<pre> | |||
X:1 | |||
T:How oft has the benshee cried | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
N:”Larghetto” | |||
B:Thomas Moore - Irish Melodies (1807) | |||
N:From the 1897 edition, edited by Charles Villiers Stanford | |||
Z:AK/Fiddler’s Companion | |||
K:F | |||
z2z2zF|A2c2 dd|cc A/G/F zF|A2c2 c/d/_e|d>c A2 (c/d/=e)| | |||
(f3g)f2|_e>e d2-(dc)|(A3 G) F2|G2 (G/F/D/C/) !fermata!C>!fermata!D| | |||
F2 (FG) (AF)|G>F GA BG|(F>E) (FG)(AF)|BG AF GD| | |||
F2 (FG) (AF)|A2c2 !fermata!(f>e)|(dc)(BA) (GF)|G3F F2:|] | |||
</pre> | |||
<pre> | <pre> | ||
X:1 | X:1 |
Revision as of 22:25, 6 November 2014
Tune annotations
X:1 T:How oft has the benshee cried M:3/4 L:1/8 R:Air N:”Larghetto” B:Thomas Moore - Irish Melodies (1807) N:From the 1897 edition, edited by Charles Villiers Stanford Z:AK/Fiddler’s Companion K:F z2z2zF|A2c2 dd|cc A/G/F zF|A2c2 c/d/_e|d>c A2 (c/d/=e)| (f3g)f2|_e>e d2-(dc)|(A3 G) F2|G2 (G/F/D/C/) !fermata!C>!fermata!D| F2 (FG) (AF)|G>F GA BG|(F>E) (FG)(AF)|BG AF GD| F2 (FG) (AF)|A2c2 !fermata!(f>e)|(dc)(BA) (GF)|G3F F2:|]
X:1 T:Dear Black Maid, The M:3/4 L:1/8 R:Air N:”Slow & with solemnity” B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 71, p. 36) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:Bb .B|(d2f2) (f{a}g)|(f3d) .B2|(d2f2) (f/g/_a)|(g3f d2)| (b2c'2b2)|(a3g) (gf)|(d3c).B2|(c3A).F2| .B2 (B>c) (dB)|(c>B c).c(ec)|(B>A) (Bc).d.B|(ec)(dB)(cG)| .B2 (BcdB)|d2f2 {gf=ef} !fermata!(b>a)|(gf)(ed)(cB)|(d3c) !fermata!B||