Annotation:Gage Fane: Difference between revisions

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'''GAGE FANE.''' AKA - "[[Géanna Fiáine (Na)]]." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). One part. Thomas Moore set his song "The origin of the hart" to this air. Francis O'Neill ('''Irish Folk Music''', 1910, p. 195) explains that the title is a phoentic rendering of the Irish "[[Gaedhana Fiadhaine (An)]]" or "[[Wild Geese (The)]]."  
'''GAGE FANE.''' AKA - "[[Géanna Fiáine (Na)]]." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). One part. Thomas Moore set his song "The origin of the hart" to this air. Francis O'Neill ('''Irish Folk Music''', 1910, p. 195) explains that the title is a phoentic rendering of the Irish "[[Gaedhana Fiadhaine (An)]]", which itself is a Gaelicisation of the English "[[Wild Geese (The)]]." It was said by Bunting to have been "sung by the women on the shore at the time of embarkation" of the Irish Generals following the capitulation of Limerick in 1691, who preferred exile to remaining in their country once their cause was lost. O'Neill says:
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''Bunting says this fine melody was composed as a farewell to the gallant remnant of''
''The mystifying "Gage Fane" confronts''  
''the Irish army who upon the capitulation of Limerick, in 1691, preferred an honorable exile''
''to remaining in the country after their cause was lost. The mystifying "Gage Fane" confronts''  
''us in Smith's '''Irish Minstrel,''' Moore's '''Irish Melodies''', and''  
''us in Smith's '''Irish Minstrel,''' Moore's '''Irish Melodies''', and''  
''Moffat's '''Minstrelsy of Ireland''' and many less pretentious publications.''
''Moffat's '''Minstrelsy of Ireland''' and many less pretentious publications.''
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''Printed sources'': Clinton ('''Gems of Ireland:200 Airs'''), 1841; No. 80, p. 40.
''Printed sources'' Bunting ('''A General Collection of the Ancient Irish Music'''), 1840. Clinton ('''Gems of Ireland:200 Airs'''), 1841; No. 80, p. 40.
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Revision as of 04:00, 18 November 2014

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GAGE FANE. AKA - "Géanna Fiáine (Na)." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). One part. Thomas Moore set his song "The origin of the hart" to this air. Francis O'Neill (Irish Folk Music, 1910, p. 195) explains that the title is a phoentic rendering of the Irish "Gaedhana Fiadhaine (An)", which itself is a Gaelicisation of the English "Wild Geese (The)." It was said by Bunting to have been "sung by the women on the shore at the time of embarkation" of the Irish Generals following the capitulation of Limerick in 1691, who preferred exile to remaining in their country once their cause was lost. O'Neill says:

The mystifying "Gage Fane" confronts us in Smith's Irish Minstrel, Moore's Irish Melodies, and Moffat's Minstrelsy of Ireland and many less pretentious publications. It was a relief to find that Perceval Graves in The Irish Song Book, issued in 1895, finally broke the monotony of error by printing the correct Irish name.

Grattan Flook in A History of Irish Music tells us that Smollet Holden in his Collection of Irish Tunes, published in 1804-6, was primarily responsible for this ridiculous error, which has been copied for nearly a century without question or correction.

Source for notated version:

Printed sources Bunting (A General Collection of the Ancient Irish Music), 1840. Clinton (Gems of Ireland:200 Airs), 1841; No. 80, p. 40.

Recorded sources:




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