Brown Maid (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Brown Maid (The) | |f_tune_title=Brown Maid (The) | ||
|f_aka=Cailín Donn (An), Oh! | |f_aka=Cailín Donn (An), Oh! touch dear maid that string, Oh! breathe not his name | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish |
Revision as of 03:36, 12 January 2015
Tune annotations
X:1 T:Brown Maid, The M:C L:1/8 R:Air N:”Very slow” B:Bunting - General Collection of the Ancient Music of Ireland (1796, No. 32, p. 18) Z:AK/Fiddler’s Companion K:F fe|(d>cA).c (BA)(GF)|(G>AF).F F2 z2|(BAGF) (ABc)c|d/e/f ed c3c| ~(BA)~(GF) FFGA|(c>f)(ef) d2 fe|(d>cA).c (BA)GF|(DF)F>G F2||
X:1 T:Brown Maid, The M:C L:1/8 R:Air N:”Dolce” B:John Clinton – Gems of Ireland: 200 Airs (1841, No. 38, p. 19) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:Bb "Pensively"(b>a)|(gfd).f (ed).c.B|(c>dB).B .B2 z.B|(edc).B (def).f| (g/a/b) a.g f2 (b>a)|(gfd).f (ed).c.B|(c>dB).B B2 z B{cB=AB}| (ed){d}(cB) (de) (=e/f/{a}g/f/)|(g/a/b) a.g f2 zf|(ed)(cB) .B z(c>d)|(fbab) {a}!fermata!g2 (b>a)| (gfd>).f (edcB)|(G<B) (B>c) B2 z.f|(ed){d}(c>B) >Bz (c>d)| (fb) a{ba^ga}(c'/>b/) {f}!fermata!g2 (b>a)|(gfd>).f (ed){d}(cB)|(GB) (B>{d}c) !fermata!B2||
X:2 T:Brown Maid, The M:C L:1/8 N:Andante R:Air B:P.H. Hughes - Gems from the Emerald Isle (c. 1860's, No. 93, p. 22) Z:AK/Fiddler's Companion K:F fe|dcAc BAGF|G>AFF F3F|BAGF A>B cc|d/e/f ed c3c| BAGF F2 GA|cfef edf>e|dcAc BAGF|D2 F>G F2||
X:1 T:Brown Maid, The M:C L:1/8 R:Air N:"With expression" S:O'Neill - Music of Ireland (1903), No. 154 Z:AK/Fiddler's Companion K:F f>e | dcAc BAGF | G>AFF F2 zF | BAGF A>Bcc | d/e/f ed c2 zc | BAGF F2 zG>A | cfef {e}d2 f>e | d>cAc BAGF | DFF>G F2 || F>G | ABcd cAGF | Acde f2 zc | fedc AdcA | DEFA G2 F>G | ABcd cAGF | Acde f2 f>e | dcAc BAGF |DFF>G F2 ||