Annotation:Over the Border (2): Difference between revisions

Revision as of 04:46, 30 January 2015

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OVER THE BORDER [2]. AKA - "Ower the Border." AKA and see "All the company's comin and maw canny hinny's amang them ," "Lairds of Ryton (The)." Scottish, English; Air and Slip Jig (9/8 time). England, Northumberland. G Major. Standard tuning (fiddle). AABBCC. The melody appears as "Lairds of Ryton (The)" in the c. 1812 music manuscript collection of Northumbrian musician John Bell [1]. Robert Riddell of Glenriddell collected and printed variation sets from a local musician, John Clark, a 'School Master at Moffat', who contributed variation sets to other tunes in Riddell's volume.

Source for notated version:

Printed sources: Bruce & Stokoe (Northumbrian Misntrelsy), 1882; p. 183. Riddell (Collection of Scotch Galwegian Border Tunes), 1794; p. 7.

Recorded sources:

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-'''OVER THE BORDER [2].''' AKA - "Ower the Border." AKA and see "[[Lairds of Ryton (The)]]." Scottish, English; Slip Jig. England, Northumberland. G Major. Standard tuning (fiddle). AABBCC. The melody appears as "[[Lairds of Ryton (The)]]" in the c. 1812 music manuscript collection of Northumbrian musician John Bell [].
+'''OVER THE BORDER [2].''' AKA - "Ower the Border." AKA and see "[[All the company's comin and maw canny hinny's amang them ]]," "[[Lairds of Ryton (The)]]." Scottish, English; Air and Slip Jig (9/8 time). England, Northumberland. G Major. Standard tuning (fiddle). AABBCC. The melody appears as "[[Lairds of Ryton (The)]]" in the c. 1812 music manuscript collection of Northumbrian musician John Bell [http://www.asaplive.com/archive/detail.asp?id=R1006701]. Robert Riddell of Glenriddell collected and printed variation sets from a local musician, John Clark, a 'School Master at Moffat', who contributed variation sets to other tunes in Riddell's volume.
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