Annotation:Daft Robin: Difference between revisions
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'''DAFT ROBIN''' (Robie Donua Gorach). Scottish, Air. A Major. Standard tuning (fiddle). AABB (O'Farrell): AABBCCDDEEFF (Gow). Gow notes it is an "old Highland song." William Stenhouse, in his notes the song "The Captive Ribband" in his '''Illustrations of the lyric poetry and music of Scotland''' (1853), says the "Daft Robin" tune is "evidently a slight alteration of the fine old triple time tune, entitled 'Earl Douglas's Lament', which may be seen in Oswald's collection, book vii, p. 30." Malcolm MacFarlane, in '''The Celtic Monthly''' (1894) gives: | '''DAFT ROBIN''' (Robie Donua Gorach). Scottish, Air. A Major. Standard tuning (fiddle). AABB (O'Farrell): AABBCCDDEEFF (Gow). Gow notes it is an "old Highland song." William Stenhouse, in his notes the song "The Captive Ribband" in his '''Illustrations of the lyric poetry and music of Scotland''' (1853), says the "Daft Robin" tune is "evidently a slight alteration of the fine old triple time tune, entitled 'Earl Douglas's Lament', which may be seen in Oswald's collection, book vii, p. 30." Malcolm MacFarlane, in '''The Celtic Monthly''' (1894) gives: | ||
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''Robaidh donn gòrach (or Robaidh tha thu gòrach)--Daft Robin. To this air, or variants of it, are sung, in Scotland, "Todlin' '' ''hame," "My ain fireside," "Johnnie Armstrong" "Earl Douglas's Lament," "Carronside," "The Maid of Selma," and "The days o' '' ''langsyne" (not "Auld langsyne"); In Ireland, "The lame yellow beggar," "The wild geese," "Bonny Portmore," "The boys of Kilkenny,"'' ''and the beautiful and popular "The meeting of the waters;" while in the Highlands, as far as I know, we have only "Na Laithean'' a ''dh'aom" and "A Chuairt | ''Robaidh donn gòrach (or Robaidh tha thu gòrach)--Daft Robin. To this air, or variants of it, are sung, in Scotland, "Todlin' '' ''hame," "My ain fireside," "Johnnie Armstrong" "Earl Douglas's Lament," "Carronside," "The Maid of Selma," and "The days o' '' ''langsyne" (not "Auld langsyne"); In Ireland, "The lame yellow beggar," "The wild geese," "Bonny Portmore," "The boys of Kilkenny,"'' ''and the beautiful and popular "The meeting of the waters;" while in the Highlands, as far as I know, we have only "Na Laithean'' a ''dh'aom" and "A Chuairt Shamraidh." '' | ||
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Revision as of 01:34, 28 December 2010
Tune properties and standard notation
DAFT ROBIN (Robie Donua Gorach). Scottish, Air. A Major. Standard tuning (fiddle). AABB (O'Farrell): AABBCCDDEEFF (Gow). Gow notes it is an "old Highland song." William Stenhouse, in his notes the song "The Captive Ribband" in his Illustrations of the lyric poetry and music of Scotland (1853), says the "Daft Robin" tune is "evidently a slight alteration of the fine old triple time tune, entitled 'Earl Douglas's Lament', which may be seen in Oswald's collection, book vii, p. 30." Malcolm MacFarlane, in The Celtic Monthly (1894) gives:
Robaidh donn gòrach (or Robaidh tha thu gòrach)--Daft Robin. To this air, or variants of it, are sung, in Scotland, "Todlin' hame," "My ain fireside," "Johnnie Armstrong" "Earl Douglas's Lament," "Carronside," "The Maid of Selma," and "The days o' langsyne" (not "Auld langsyne"); In Ireland, "The lame yellow beggar," "The wild geese," "Bonny Portmore," "The boys of Kilkenny," and the beautiful and popular "The meeting of the waters;" while in the Highlands, as far as I know, we have only "Na Laithean a dh'aom" and "A Chuairt Shamraidh."
Source for notated version:
Printed sources: Carlin (The Gow Collection), 1986; No. 538. Gow (The First Collection of Niel Gow's Reels), 1784 (revised 1801); p. 36. O'Farrell (Pocket Companion, vol. III), c. 1808; p. 14.
Recorded sources: