O dear! what can the matter be: Difference between revisions
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EAc BcA|(G3 G2):||:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | EAc BcA|(G3 G2):||:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | ||
dBc dBc|dBg dBG|EAc BcA|(G3G2)::z|(d/g/)b/a/g/f/ (e/d/)g/f/e/d/| | dBc dBc|dBg dBG|EAc BcA|(G3G2)::z|(d/g/)b/a/g/f/ (e/d/)g/f/e/d/| | ||
(c/B/)e/d/c/B/ (A/G/)c/B/A/G/|F/a/ | (c/B/)e/d/c/B/ (A/G/)c/B/A/G/|F/a/c'/a/g/ f/e/a/g/f/e/|(d/c/)f/e/d/c/ (B/A/)d/c/B/A/| | ||
G/b/ | G/b/d'/c'/b/a/ g/f/b/a/g/f/|(e/d/)g/f/e/d/ (c/B/)e/d/c/B/|(A/G/)c/B/A/G/ (F/A/)d/c/B/A/|(G3G2):| | ||
|:d|d/c/B/c/d/e/ e/c/B/c/d/e/|(e/g/)b/a/g/f/ (e/d/)c/B/A/G/|c/B/A/B/c/d/ c/B/A/B/c/d/| | |:d|d/c/B/c/d/e/ e/c/B/c/d/e/|(e/g/)b/a/g/f/ (e/d/)c/B/A/G/|c/B/A/B/c/d/ c/B/A/B/c/d/| | ||
c/a/ | c/a/c'/b/a/g/ f/e/d/c/B/A/B/A/|B/A/B/G/A/B/ c/B/c/A/B/c/|d/b/d'/c'/b/a/ g/f/e/d/c/B/| | ||
(A/c/)e/c/A/G/ (F/A/)d/c/B/A/|(G3G2):||:(3D/E/F/|GDB GdB|gdb gdBB| | (A/c/)e/c/A/G/ (F/A/)d/c/B/A/|(G3G2):||:(3D/E/F/|GDB GdB|gdb gdBB| | ||
cAF AFC|FED EDA,|B,G,D B,GD|BGd BGD|(EAc) (BcA)|(G3G2):| | cAF AFC|FED EDA,|B,G,D B,GD|BGd BGD|(EAc) (BcA)|(G3G2):| |
Revision as of 20:44, 21 May 2015
Tune annotations
X:1 % T:O dear what can the matter be M:G L:1/8 R:Air N:"Slow" B:Aird - Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 15, p. 6) Z:AK/Fiddler's Companion K:G d3 d3|dBg dBG|c3 c3|cAB cBA| d3 d3|dBg dBG|EGc BcA|G3 z2:| |:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| dBc dBc|dBg dBG|EGc BcA|G3 z2:|]
X:1 % T:Oh Dear what can the matter be. TS.003 M:6/8 L:1/8 Q:3/8=100 S:Thomas Sands' MS,1810,Lincolnshire R:glee O:Lincolnshire Z:vmp.Ruairidh Greig, 2011 K:G d3d3|dBg dBG|c3c3|cAB cBA|! d3d3|dBg dBG|EAc BcA|G3G3:|! |:dBc dBc|dBg dBG|cAB cAB|cAB cBA|! dBc dBc|dBg dBG|EAc BcA|G3G3:|]
X: 1 % T:O Dear,What Can The Matter Be. RH.487 R:jig S:Rev.R.Harrison's MS,c1815,Cumbria O:England A:Temple Sowerby,Cumbria Z:vmp.Simon Wilson. Review PJH, 2008. M:6/8 L:1/8 Q:3/8=120 K:Bb c3c3|cAf cAF|B3B3|BGA BAG| c3c3|cAf cAF|DFB A>BG|F3:|! |:F|cAB cAB|cAf cAF|BGA BGA|BGA BAG| cAB cAB|cAf cAF|DFB A>BG|F3|]
X: 1 % T:What Can The Matter Be.. JaW.293 T:Oh,Dear, What Can The... JaW.293 M:6/8 L:1/8 Q:3/8=100 S:James Winder Ms, Lancashire, 1835-41 R:.Air O:England A:Wyresdale,Lancashire N:..Johnny Stops Long At The Fair. Z:vmp.Chris Partington, Aug 2004 K:C d3d3|dBg dBG|c3c3|cAB cBA|! d3d3|dBg dcB|Eed cBA|G3G3:|! |:d|dBc dBc|dBg dBG|cAB cAB|\ "not clear from here"cBA GFE|! dBc dBc|dBd dBG|Eed cBA|G3zz2:|
X: 1 % T:Oh Dear What Can The Matter Be?2voices. AJH.006 M:6/8 L:1/8 Q:3/8=100 S:A.J.Hughes MS O:England A:North Shropshire Z:Neil Brookes 2006 V:1 clef=treble V:2 clef=bass %%staves {1 2} K:G [V:1] |: "_rest added"z|d3 d3 | dBg dBG | c3 c3 | cAB cBA | [V:2] |: z|G,B,G, F,D,F, | G,3 G,2F, | E,G,C C,E,G, | D,3 D,3 | % [V:1] d3 d3 | dBg dBG | EGc BcA | G3 z2 :| [V:2] G,B,G, F,D,F, | G,3 G,3 | C,3 D,3 | G,D,B,, G,,2 :| % [V:1] |: d | dBc dBc | dBg dBG | cAB cAB | cAB cBA | [V:2] |: z | G,3 G,3 | G,3 G,3 | D,3 D,3 | D,3 D,3 | % [V:1] dBc dBc | dBg dBG | EGc BcA | G3"_dotted in MS" G2 :| [V:2] G,3 G,3 | G,3 G,3 | B,,3 D,3 | G,D,B,, G,,2 :|
X:1 % T:Oh Dear What Can The Matter Be. JC.012 R:air S:John Clare,Poet,Helpston. (1793-1864) N:Modern practice would have the dotted minims as two dotted crotchets N:slurred, to ease readability. CGP. N:Song text exists. See Deacon. O:England A:Northamptonshire Z:vmp.P. Headford M:6/8 L:1/8 Q:3/8=120 K:D e3e3|\ eca ecA|d6|dBc dcB|! e6|eca ecA|FAd cdB|A3z2:|! |:e|ecd ecd|eca ecA|dBc dBc|dBc dcB|! ecd ecd|eca ecA|FAd cdB|A6:|
X:1 % T:O Dear what can the matter be?--Variations M:6/8 L:1/8 B:Köhler’s Violin Repository vol. 3Bc (1885, p. 266) Z:AK/Fiddler’s Companion K:G "Allegreetto"d3d3|dBg dBG|c3c3|cAB cBA|d3d3|dBg dBG| EAc BcA|(G3 G2):||:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| dBc dBc|dBg dBG|EAc BcA|(G3G2)::z|(d/g/)b/a/g/f/ (e/d/)g/f/e/d/| (c/B/)e/d/c/B/ (A/G/)c/B/A/G/|F/a/c'/a/g/ f/e/a/g/f/e/|(d/c/)f/e/d/c/ (B/A/)d/c/B/A/| G/b/d'/c'/b/a/ g/f/b/a/g/f/|(e/d/)g/f/e/d/ (c/B/)e/d/c/B/|(A/G/)c/B/A/G/ (F/A/)d/c/B/A/|(G3G2):| |:d|d/c/B/c/d/e/ e/c/B/c/d/e/|(e/g/)b/a/g/f/ (e/d/)c/B/A/G/|c/B/A/B/c/d/ c/B/A/B/c/d/| c/a/c'/b/a/g/ f/e/d/c/B/A/B/A/|B/A/B/G/A/B/ c/B/c/A/B/c/|d/b/d'/c'/b/a/ g/f/e/d/c/B/| (A/c/)e/c/A/G/ (F/A/)d/c/B/A/|(G3G2):||:(3D/E/F/|GDB GdB|gdb gdBB| cAF AFC|FED EDA,|B,G,D B,GD|BGd BGD|(EAc) (BcA)|(G3G2):| |:d|{e}d^cd {E}D^CD|gfg {E}D^CD|{e}cBc {E}D^CD|a^ga {E}D^CD| (d^cd) (GFG)|(gfg) (E^DE)|(G^GA) (A=GF)|(G3 G2):| |:z|d(G/B/)d/g/ d(B/d/)g/b/|g(d/g/)b/d'/ b(g/a/)b/g/|c'(c'/a/)f/d/ c(a/f/)d/c/| A(c/A/)F/D/ C(A/F/)D/C/|B,(G,/B,/)D/G/ D(B,/D/)G/B/|G(D/G/)B/d/ B(G/B/)d/g/| E(E/A/)c/e/ d(D/F/)A/F/|(G3G2)::(G/A/B/c/)|d(d/c/B/A/) G(B/A/G/F/) E(G/F/E/D/) C(A/B/c/d/)|e(e/d/c/B/) A(c/B/A/G/)|F(A/G/F/E/) D(D/E/F/D/)| G(G/F/G/A/) B(B/A//c/)|d(d/e/f/d/) g(g/f/e/d/)|c(e/d/c/B/) A(d/c/B/A/)|(G3G2):|]
X:2 % T:Oh, Dear, What Can the Matter Be? M:6/8 L:1/8 R:Air S:O'Neill - Music of Ireland No. 620 (1903) Z:AK/Fiddler's Companion K:G d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| dBc dBc|dBg dBG|DGc BcA|G3 z2|| B|d3d3|dBg dBG|c3 ccc|cAB cBA| d3 ddd|dBg dBG|DGc BcA|G3 z2||