Paddy Whack (1): Difference between revisions

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T:Paddy Whack. RH.366
T:Paddy Whack [1]. RH.366
R:jig
R:jig
S:Rev.R.Harrison's MS,c1815,Cumbria
S:Rev.R.Harrison's MS,c1815,Cumbria
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C:Page 26
C:Page 26
T:Paddy Whack. MBe.51
T:Paddy Whack [1]. MBe.51
S:Matthew Betham MS, Towcett Cumbria, 1815
S:Matthew Betham MS, Towcett Cumbria, 1815
O:England;Cumbria;Towcett
O:England;Cumbria;Towcett
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T:Paddy Whack. VWMLa.080
T:Paddy Whack [1]. VWMLa.080
R:Jig
R:Jig
S:Anon. MS, late 18thC, Vaughan Williams Mem. Library
S:Anon. MS, late 18thC, Vaughan Williams Mem. Library

Revision as of 00:37, 11 June 2015


Paddy Whack (1)  Click on the tune title to see or modify Paddy Whack (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Paddy Whack (1)
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 Theme code Index    3452 1671H
 Also known as    Paidin an Bualadoir, Paddy Wack, Paddy O’Whack, Tommy Reck’s, When history's muse, Whoope! doe me nee harm good man, Green Joke (The), Harp that in Darkness, Little Peggy's (2)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABB, AABB'
 Editor/Compiler    John Peacock
 Book/Manuscript title    Book:Peacock's Tunes
 Tune and/or Page number    No. 22, p. 7
 Year of publication/Date of MS    c. 1805
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations


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T:Paddy Whack [1]. RH.366
R:jig
S:Rev.R.Harrison's MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
D|GBd gfg|edc BAG|GBd gfg|fdd d2e/f/|!
gfg fdB|cec dBG|GBd cAc|BGG G2:|!
|:BBB ccc|dBG A2A|Bcd efg|fdd d2e/f/|!
gfg fdB|cec dBG|GBd cAc|BGG G2:|
X: 1
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C:Page 26
T:Paddy Whack [1]. MBe.51
S:Matthew Betham MS, Towcett Cumbria, 1815
O:England;Cumbria;Towcett
Z:VMP - Hugh Taylor, 2012
M:6/8
L:1/8
Q:3/8=120
R:.Jig
N:NB-The A part as written was only 7 bars. However, the tune is virtually note for note as that in
N:O�Farrell (Pocket Companion for the Irish or Union Pipes, vol. 1), c. 1805; pp. 26-27, and I have
N:taken the liberty of adding notes from that source to the end of bar 6 and the start of bar 7,
N:to make 8 bars. The 6th bar was originally |ceg cAd| and the 7th bar BGG G2:| with no 8th bar.
K:G
D|GBd gfg|edc BAG|GBd eag|fdd def|
gag fdB|ceg "^NB.............................................."dBG|\
GBd cAd|BGG G2:|
|:d/c/|BBB ceg|dBB c2 B|Bcd eag|fdd def|
gag fdB|cec dBG|GBB cAd|BGG G2:|
|:D|GBd Bdg|e/d/c/B/A/G/ AFD|dBB eca|fdd d2 g|
b/a/g/a/b/g/ a/g/f/g/a/g/|g/f/e/f/g/e/ dBG|GBd cAF|BGG G2:|
|:B/c/|dBB ecc|dc/B/A/G/ A2 G|dGG ea/b/a/g/|fdd def|
ga/g/a/g/ fa/f/a/f/|eg/f/g/e/ dBG|GBd cAd|BGG G2:|
 
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T:Paddy Whack [1]
M:6/8
L:1/8
R:Jig
S:John Rook manuscript (Waverly, Cumbria, 1840)
K:G
GBd gfg|edc BAG|GBd gfg|afd d3|
ece efg|dBG A2G|GBd cAF|GGG G3:|
|:BdB cec|dBG A2G|GBd gfg|gfd d3|
geg fdB|cec dBG|GBd cAF|GGG G3:||
X:1
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T:Paddy Whack [1]. JMT.102
M:6/8
L:1/8
Q:3/8=120
S:J.Moore,Tyneside,1841.(71b)
R:.Jig
O:England
A:Northumbria
N:An unusual and very nice setting
Z:vmp.Chris Partington
K:G
D|GBd gfa|edc B2A|GBd gfa|fddd2=f|!
ece efg|dBGA2G|GAB cAd|BGGG2:|!
|:B/c/|dBd ede|dBGA2G|Bcd gea|fddd2=f|!
ece (e/f/g)e|dBGA2G|GAB cAd|BGGG2:|
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T:Paddy Whack [1]. VWMLa.080
R:Jig
S:Anon. MS, late 18thC, Vaughan Williams Mem. Library
O:England;Yorkshire
Z:vmp/efdss.Simon Wilson. Reviewed PJH 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
D|GBd gfg|edc BAG|GBd gfg|fdd d2 (e/f/)|\
geg fdB|cec dBG|BdB cAc|BGG G2:|
|:c|BdB cec|Bdc BAG|BcB efg|fdd d2(e/f/)|\
geg fdB|cec dBG|cBc Adc|BGG G2:|
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T:Paddy Whack [1]
M:6/8
L:1/8
R:Jig
S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 43
Z:AK/Fiddler’s Companion
K:G
c|BGB cde|dBG A2G|GBd efg|fdd d2e/f/|
gbg gfd|c>de dBG|GAB cAd|BGG G2:|
|:B|GBd g>fg|edc BAG|GBd e>fg|fdd d2z|
|1 GBd g>fg|edc BAG |GAB cAd|BGG G2:|
|2 (e/f/)|gbg afd|c>de dBG|GAB cAd|BGG G2||

Tune annotations