Annotation:Patsy Hanley's (1): Difference between revisions
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'''PATSY HANLEY’S.''' AKA - "Patsy Hanly's," "Hanley's." AKA and see "New Line to Loughaun (The)." Irish, Reel. D Major. Standard tuning (fiddle). AABB. The tune is named for County Roscommon flute player Patsy Hanly, who composed it in the key of C Major, although it is heard in D also (e.g. by Harry Bradley, Peter Carberry). Patsy himself had the reel from fiddler James Hanly of Newtowncashel, Co. Longford, who had learned it from a farm laborer named Eavers who was locally known as a whistler and lilter [https://thesession.org/tunes/1664]. The "New Line to Loughaun" title comes from | '''PATSY HANLEY’S.''' AKA - "Patsy Hanly's," "Hanley's." AKA and see "New Line to Loughaun (The)." Irish, Reel. D Major. Standard tuning (fiddle). AABB. The tune is named for County Roscommon flute player Patsy Hanly, who composed it in the key of C Major, although it is heard in D also (e.g. by Harry Bradley, Peter Carberry). Patsy himself had the reel from fiddler James Hanly of Newtowncashel, Co. Longford, who had learned it from a farm laborer named Eavers who was locally known as a whistler and lilter [https://thesession.org/tunes/1664]. The "New Line to Loughaun" title comes from the 2007 recording "Pathway to the Well" by flute player Matt Molloy. | ||
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Revision as of 02:00, 17 August 2015
Back to Patsy Hanley's (1)
PATSY HANLEY’S. AKA - "Patsy Hanly's," "Hanley's." AKA and see "New Line to Loughaun (The)." Irish, Reel. D Major. Standard tuning (fiddle). AABB. The tune is named for County Roscommon flute player Patsy Hanly, who composed it in the key of C Major, although it is heard in D also (e.g. by Harry Bradley, Peter Carberry). Patsy himself had the reel from fiddler James Hanly of Newtowncashel, Co. Longford, who had learned it from a farm laborer named Eavers who was locally known as a whistler and lilter [1]. The "New Line to Loughaun" title comes from the 2007 recording "Pathway to the Well" by flute player Matt Molloy.
Source for notated version:
Printed sources: Black (Music’s the Very Best Thing), 1996; No. 318, p. 170.
Recorded sources:
See also listing at:
Alan Ng's Irishtune.info [2]