Annotation:Paul's Steeple: Difference between revisions
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[[File:Paul's.png|200px|thumb|left|A 17th century view of St. Paul's Cathedral and surroundings.]] | |||
The steeple of St. Paul’s was proverbial in its time for its height. In '''Vulgaria''', printed by Wynkin de Worde in 1530, it is remarked: “Poules Steple is a mighty great thing, and so hye that unneth [hardly] a man may discerne the wether cocke, the tip is unneth perceived.” Lodge, in his '''Wounds of Civil War''', makes a clown talk of the ‘Paul’s Steeple of honour’, meaning in the highest point that can be attained. There is a nursery rhyme on Paul's Cathederal: | The steeple of St. Paul’s was proverbial in its time for its height. In '''Vulgaria''', printed by Wynkin de Worde in 1530, it is remarked: “Poules Steple is a mighty great thing, and so hye that unneth [hardly] a man may discerne the wether cocke, the tip is unneth perceived.” Lodge, in his '''Wounds of Civil War''', makes a clown talk of the ‘Paul’s Steeple of honour’, meaning in the highest point that can be attained. There is a nursery rhyme on Paul's Cathederal: | ||
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Revision as of 14:45, 5 September 2015
Back to Paul's Steeple
PAUL'S STEEPLE. AKA and see: "I am the Duke of Norfolk/I am the Duke of York,” “St. Paul's Steeple." English, Country Dance Tune (cut time). G Dorian. Standard tuning (fiddle). AB. The air was published by John Playford (1623-1686) in the first edition of his English Dancing Master [1][2] (1651), and later in his Division Violist (1685). The dance and tune were retained in the long-running Dancing Master series through the 10th edition (1698), either as "Paul's Steeple" or "St. Paul's Steeple" (in later editions). Chappell (1859) reports the steeple of Old St. Paul's, London, was set on fire by lightning and burnt down in June, 1561, and that within seven days a ballad was entered on the subject at the Stationers' Company. The melody is part of a large tune family which includes the Scottish song "John Anderson My Jo," the Irish "Cruiskeen Lawn," the American "When Johnny Comes Marching Home Again," and the Welsh "Yn Nyffryn Clwyd" (Vale of Clyde (The)). In addition it is a relative of "Goddesses (1)" and "Quodling’s Delight," all of which, according to John M. Ward, can be considered descants over the ground known as passamezzo antico. As the vehicle for the song “Little Man and Little Maid (The)” the tune appears in The Edinburgh Musical Miscellany, printed in that city in 1793 by Grant and Moir.
The steeple of St. Paul’s was proverbial in its time for its height. In Vulgaria, printed by Wynkin de Worde in 1530, it is remarked: “Poules Steple is a mighty great thing, and so hye that unneth [hardly] a man may discerne the wether cocke, the tip is unneth perceived.” Lodge, in his Wounds of Civil War, makes a clown talk of the ‘Paul’s Steeple of honour’, meaning in the highest point that can be attained. There is a nursery rhyme on Paul's Cathederal:
Upon Paul's steeple stands a tree,
As full of apples as may be,
The little boys of London town,
They run with hooks to pull them down,
And then they go from hedge to hedge,
Until they come to London Bridge.
Source for notated version:
Printed sources: Barlow (The Complete Country Dances from Playford's Dancing Master), 1985; No. 76, p. 32. Chappell (Popular Music of the Olden Time, vol. 1), 1859; pp. 282-283. Raven (English Country Dance Tunes), 1984; p. 44.
Recorded sources:
See also listing at:
See a standard notation transcription of the tune from Division Violin [3]
Hear a setting for recorder of the Division Violin version on youtube.com [4]