White Leaf (The): Difference between revisions
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T:White Leaf, The | |||
M:4/4 | |||
L:1/8 | |||
R:Reel | |||
S:Francis Reynolds MSS, c. 1885 (Gaigue, Ballinamuck, Co. Longford) | |||
Z:Transcribed by Conor Ward | |||
N:Ward remarks: "Note that the bowing style used by Reynolds throughout | |||
N:the tune was known locally as 'slur and cut' - for a group of four | |||
N:quavers the first two notes are slurred the second two are cut." | |||
K:A | |||
af|eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fe)dc|(Bc)de f2 af| | |||
eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fg)af|edc(B A2:| | |||
|:fg|aA A/A/A (aA)fA|aA A/A/A (ag)fg|bB B/B/B (bB)fB|bB B/B/B (ba)fg| | |||
aA A/A/A (aA)fA|aA A/A/A (fe)dc|(Bc)de (fg)af|(ed)cB A2:|] | |||
<pre> | |||
<pre> | <pre> | ||
X:1 | X:1 |
Revision as of 02:34, 7 October 2015
Tune annotations
X:1 % T:White Leaf, The M:4/4 L:1/8 R:Reel S:Francis Reynolds MSS, c. 1885 (Gaigue, Ballinamuck, Co. Longford) Z:Transcribed by Conor Ward N:Ward remarks: "Note that the bowing style used by Reynolds throughout N:the tune was known locally as 'slur and cut' - for a group of four N:quavers the first two notes are slurred the second two are cut." K:A af|eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fe)dc|(Bc)de f2 af| eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fg)af|edc(B A2:| |:fg|aA A/A/A (aA)fA|aA A/A/A (ag)fg|bB B/B/B (bB)fB|bB B/B/B (ba)fg| aA A/A/A (aA)fA|aA A/A/A (fe)dc|(Bc)de (fg)af|(ed)cB A2:|] <pre> <pre> X:1 % T:White Leaf, The M:C| L:1/8 R:Reel S:Murphy manuscript K:A E2|A2 (3cBA eAcA|e^def e=dcA|Bcde fdde|f2 bg afedc| A2 (3cBA eAcA|e^def e=dcB|...
X:1 T:White Leaf, The M:4/4 L:1/8 B:Bulmer & Sharpley, book 4, 27 K:A (3EFG|A2 cA eAcA|(3Bcd ef edcA|Bcde fdde|fdad fdcB| A2cA eAcA|(3Bcd ef edcA|Bcde fgaf|edcB A2:| |:ce|eA A2 cAce|a2 ga fece|bf f2 fece|bffe ^defg| aA A2 cAce|a2 ga faec|Bcde fgaf|edcB A2:|]