Over the Water to Charlie (1): Difference between revisions
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dfd afd|(c/d/e)c ecA|(B/c/d)B AFA|B3d3:| | dfd afd|(c/d/e)c ecA|(B/c/d)B AFA|B3d3:| | ||
|:AAD BBD|AAD TE2D|dfD EFA|TB3 d3| | |:AAD BBD|AAD TE2D|dfD EFA|TB3 d3| | ||
DDd EEd|FFd TE2D|(f/g/f/e)d AFA|B3d3:| | DDd EEd|FFd TE2D|(f/g/f/e/)d AFA|B3d3:| | ||
|:fdf (a/g/f/e/)d|ecA ecA|fdf (a/g/f/e)d|fdf (a/g/f/e/)d| | |:fdf (a/g/f/e/)d|ecA ecA|fdf (a/g/f/e)d|fdf (a/g/f/e/)d| | ||
(g/f/g/a/)g (f/e/f/g/)f|efd (e/d/c/B/)A|(B/c/d)B AFA|TB3d3:| | (g/f/g/a/)g (f/e/f/g/)f|efd (e/d/c/B/)A|(B/c/d)B AFA|TB3d3:| |
Revision as of 02:58, 22 November 2015
Tune annotations
X:1 % T:Over the Water to Charlie M:6/8 L:1/8 R:Jig B:Robert Bremner - Collection of Scots Reels, Country Dances (1757, p. 16) Z:AK/Fiddler's Companion K:D A>BA A2G|T(F>EF) D3|ABA AFA|B3d3| DED DEF|GF TE2D|dcB AFA|B3 {Bc}d3:| |:d2e f2f|e2d T(cBA)|d2e fdg|Te3 A3| dcd efg|fed T(c>BA)|(B/c/d)B AFA|B3 d3:|]
X:1 % T:Over the Water [2] M:6/8 L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:F c2c c2d|ABG FAB|cdc cAc|d3 f3| F2F FGA|B2A G2F|fed cAc|d3 f3:| |:f2g a2b|gaf gec|f2g aba|g3 c3| f2g aba|gaf gec|(d/e/f)d cAc|d3 f3:||
X:1 % T:Over the Water to Charlie M:6/8 L:1/8 R:Air B:James Oswald – Caledonian Pocket Companion, vol. 4 (1760, p. 7) Z:AK/Fiddler’s Companion K:D "Brisk"A2A (AB)G|(FG)E (DF)G|(AB)A (AF)A|B3d3| D2D (DE)F|(GA)F TE2D|(dc)B (AF)A|B3 d3:| |:d2e (fg)f|(ef)d (ec)A|d2e (fg)f|Te3A3| d2e (fg)f|(ef)d (ec)A|(B/c/d)B AFA|B3d3:| |:(AF)D (AF)D|(BG)E (BG)E|AFD EFA|TB3d3| AFD dAF|GAF TE2D|fed AFA|TB3d3:| |:dfd dfd|ecA acA|dfd dfd|Te3A3| dfd afd|(c/d/e)c ecA|(B/c/d)B AFA|B3d3:| |:AAD BBD|AAD TE2D|dfD EFA|TB3 d3| DDd EEd|FFd TE2D|(f/g/f/e/)d AFA|B3d3:| |:fdf (a/g/f/e/)d|ecA ecA|fdf (a/g/f/e)d|fdf (a/g/f/e/)d| (g/f/g/a/)g (f/e/f/g/)f|efd (e/d/c/B/)A|(B/c/d)B AFA|TB3d3:| |:(D/E/F/G/)A DFA|(E/F/G/A/)B EGB|(D/E/F/G/)A DFA|B3d3| DdD AdD|BdD TE2D|(a/g/f/e)d AFA|TB3d3:| |:(a/g/f/e/)d (a/g/f/e/)d|ecA acA|(a/g/f/e/)d (a/g/f/e/)d|Tf3a3| ggb ffa|efd ecA|(B/c/d)B AFA|TB3d3:|]
X:2 % T:Over the Water to Charlie M:6/8 L:1/8 S:Aird, vol. II (1785) Z:AK/Fiddler's Companion K:D A2A A>BG | FGE D>FG | A>BA AFA | B3d3 | D2D DEF | GAF E2D | dcB AFA | B3d3 :| |: d2e fgf | efd ecA | d2e fgf | e3 A3 | d2e fgf | efd ecA | (B/c/dB) AFA | B3 d3 :| |: AFD AFD | BGE BGE | AFD EFA | B3d3 | AFD dAF | GAF E2D | fed AFA | B3d3 :| |: dfd dfd | ecA acA | dfd dfd | e3A3 | dfd afd | (c/d/e)c ecA | (B/c/d)B AFA | B3d3 :|]
X:3 % T:Over the Water to Charlie M:6/8 L:1/8 S:From Ann Winnington's music manuscript book, from the early 19th century. N:Winnington was an American, probably a pianist, who resided in England. K:D D2A AFA | B/c/dF E2D | D2A AFA | B3d3 | D2A AFA | B/c/dF E2D | dfd ecA | d3 {B/c/}d3 :| |: dfd ecA | (B/c/)dF E2D | dfd ecA | B3d3 | dfd ecA | dcB AFA | D2A AFA | (B3 {B/c/}d3) :|]
X:4 % T:Original Set of O'er the Water to Charlie M:6/8 L:1/8 R:Jig B:Gow - 3rd Collection of Niel Gow's Reels, 3rd ed., p. 12 (orig. 1792) Z:AK/Fiddler's Companion K:D D|A2A (AB).G|(FG).E D/A,/B,/C/ D/4E/4F/4G/4|A>BA AFA|B3 Td3| D2D DEF|{A}G2F {F}E2D|{B/c/}d>cB A<FA|B2Tc {e}d2:| |:A|Td2e f2d|(ef).d {d}cBA|~d2e (fgf)|{f}e3 ABc| Td>cd efg|{f/g/}.a/>.g.f .e.d.c.|{B/c}d>cB A<FA|B2Tc {e}d2:|]
X:5 % T:Over the Water to Charley (Old Scotch) M:6/8 L:1/8 N:"Allegro" R:Jig B:Thomas Wilson - Companion to the Ball Room (1816, p. 53) Z:AK/Fiddler's Companion K:G GBd dBd|{fg}g2B A2G|GBd dBd|e3 g3| GBd dBd|efg dBd|g/a/bg afd|e3 g3|| g/a/bg afd|e/f/gB A2G|g/a/bg afd|e3 g3| bag afd|e/f/gB A2G|GBd dBd|e3 g3||
X:1 T:Charley M:6/8 L:1/8 R:Jig N:Possibly a pipe version S:John Rook music manuscript collection (1840, p. 89, Wigton, Cumbria) Z:AK/Fiddler’s Companion K:D A2A ABG|FGE DFG|ABA AFA|B3d3| D2D DEF|GAF E2D|dcB AFA|B3 d3:| |:d2e fgf|efd ecA|d2e fgf|e3A3| d2e fgf|efd ecA|B/c/dB AFA|B3d3:| |:AFD AFD|BGE BGE|AFD EFA|B3d3| AFD dAF |GAF E2D|fed AFA|B3d3:| |:dfd dfd|ecA acA|dfd dfd|e3c3| dfd afd|c/d/ec ecA|B/c/dB AFA|B3 d3:| |:AAd BBD|AAD E2D|dfD EFA|B3d3| DDd EEd|FFd E2D|f/g/f/e/d AFA|B3d3:| |:fdf a/g/f/ed|ecA ecA|fdf a/g/f/e/d|fdf a/g/f/e/d| g/f/g/a/g f/e/f/g/f|efd e/d/c/B/A|B/c/dB AFA|B3d3:| D/E/F/G/A DFA|D/E/F/G/A DFA|D/E/F/G/A DFA|B3d3| DdD AdD|BdD E2D|a/g/f/e/d AFA|B3d3:| |:a/g/f/e/d a/g/f/e/d|ecA acA|a/g/f/e/d a/g/f/e/d|f3a3| ggb ffa|efd ecA|B/c/dB AFA|B3d3:|]
X:1 % T:Jig M:6/8 L:1/8 R:Jig B:R.M. Levey – First Collection of the Dance Music of Ireland (1858, No. 15, pp. 6-7) Z:AK/Fiddler’s Companion K:F "Moderate time"c>dc c2B|A2G F3|c>dc cAc|d3 f3| f>ed cdB|A>BA F2c|f>ga gec|d3 f2c:| |:f2g aba|g2f e2c|f2g aba|g3 c2c| f2g aba|g2f ede|fed cBA|1 d3 f2c:|2 d3 f3||