Annotation:Major John Bruce's Quick Step: Difference between revisions
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'''MAJOR JOHN BRUCE'S QUICK STEP.''' AKA - "Major John Bruce's Favourite." Scottish, March (6/8 time). G Major. Standard tuning (fiddle). AABB. James Aird dedicated his collection to "the Volunteer and Defensive Bands of Great Britain and Ireland," a reference to the bands of the many home defense units that sprang up during the late 19th century wars with France. The melody appears in a few period musicians' manuscripts: those of fiddler John Fife (probably Perthshire and at sea, begun in 1780 and continuing through 1804), H.S.J. Jackson (Wyresdale, Lancashire, 1823), and flute player Thomas Molyneau (Shelburne, Nova Scotia, 1788). Northumbrian musician William Vickers' "[[Militia Jigg]]" shares a similar in the first strain, but differs in the second. | '''MAJOR JOHN BRUCE'S QUICK STEP.''' AKA - "[[Bruce's Quickstep]]," "Major John Bruce's Favourite." Scottish, March (6/8 time). G Major. Standard tuning (fiddle). AABB. James Aird dedicated his collection to "the Volunteer and Defensive Bands of Great Britain and Ireland," a reference to the bands of the many home defense units that sprang up during the late 19th century wars with France. The melody appears in a few period musicians' manuscripts: those of fiddler John Fife (probably Perthshire and at sea, begun in 1780 and continuing through 1804), H.S.J. Jackson (Wyresdale, Lancashire, 1823), and flute player Thomas Molyneau (Shelburne, Nova Scotia, 1788). Wigton, Cumbria, multi-instrumentalist John Rook entered it into his 1840 music manuscript collection as "[[Bruce's Quickstep]]." Northumbrian musician William Vickers' "[[Militia Jigg]]" shares a similar in the first strain, but differs in the second. | ||
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Revision as of 05:42, 28 November 2015
Back to Major John Bruce's Quick Step
MAJOR JOHN BRUCE'S QUICK STEP. AKA - "Bruce's Quickstep," "Major John Bruce's Favourite." Scottish, March (6/8 time). G Major. Standard tuning (fiddle). AABB. James Aird dedicated his collection to "the Volunteer and Defensive Bands of Great Britain and Ireland," a reference to the bands of the many home defense units that sprang up during the late 19th century wars with France. The melody appears in a few period musicians' manuscripts: those of fiddler John Fife (probably Perthshire and at sea, begun in 1780 and continuing through 1804), H.S.J. Jackson (Wyresdale, Lancashire, 1823), and flute player Thomas Molyneau (Shelburne, Nova Scotia, 1788). Wigton, Cumbria, multi-instrumentalist John Rook entered it into his 1840 music manuscript collection as "Bruce's Quickstep." Northumbrian musician William Vickers' "Militia Jigg" shares a similar in the first strain, but differs in the second.
Source for notated version:
Printed sources: Aird (Selection of Scotch, English, Irish and Foreign Airs), vol. II, 1785; No. 69, p. 26. Kennedy (Jigs & Quicksteps, Trips & Humours), 1997; No. 112, p. 28.
Recorded sources: