Annotation:We've Cheated the Parson (1): Difference between revisions

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'''WE'VE CHEATED THE PARSON.''' English, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. "We Cheated the Parson" is also called "[[Your Hay it is Mow'd]]" or "[[Harvest Song]]" and was a favorite melody from '''King Arthur''', set by English composer Henry Purcell in 1691 to a libretto by John Dryden. It appeared printed on broadside sheets soon afterward ("A New Playhouse song of the husband's delight, suiting the humours of a country Life") and was the vehicle for songs in ballad operas, such as Air XLVI in John Gay's ballad opera '''Polly''' (1729). Dryden's words go:
'''WE'VE CHEATED THE PARSON [1].''' AKA - "Boys and Girls Come Out to Play."  English, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. "We Cheated the Parson" is also called "[[Your Hay it is Mow'd]]" or "[[Harvest Song]]" and was a favorite melody from '''King Arthur''', set by English composer Henry Purcell in 1691 to a libretto by John Dryden. It appeared printed on broadside sheets soon afterward ("A New Playhouse song of the husband's delight, suiting the humours of a country Life") and was the vehicle for songs in ballad operas, such as Air XLVI in John Gay's ballad opera '''Polly''' (1729).  
<blockquote>
''Your hay it is mow'd, and your corn is reap'd;''<br>
''Your barns will be full, and your hovels heap'd.''<br>
''Come, boys, come; Come, boys, come;''<br>
''And merrily roar out our harvest home.''<br>
<br>
''We've cheated the parson, we'll cheat him again,''<br>
''For why should a blockhead have one in ten?''<br>
''One in ten, one in ten,''<br>
''For why should a blockhead have one in ten?''<br>
<br>
''For prating so long like a book-learn'd sot''<br>
''Till pudding and dumpling are burn'd to pot''<br>
''Burn't to sot, burn't to pot''<br>
''Till pudding and dumpling are burn'd to pot''<br>
''Till pudding and dumpling are burn'd to pot''<br>
<br>
''We'll toss off our ale till we cannot stand''<br>
''And hey for the honour of old England''<br>
''Old England, old England''<br>
''And hey for the honour of old England''<br>
</blockquote>
There are two 6/4 or 6/8 melodies called "We've Cheated the Parson." One was printed by Henry Playford in '''Apollo's Banquet: The Second Book''' in 1691 and appears in numerous ballad operas such as '''Jovial Crew''' (1731), '''Lovers Opera''' (1730), '''Merry Cobler''' (1735), '''Mock Doctor''' (1732) and '''Old Man''' (1735). A second, different, melody was printed in John Gay's '''Polly''' (1729), reprinted in dancing master Thomas Wilson's '''Companion to the Ball Room''' (1816).  
There are two 6/4 or 6/8 melodies called "We've Cheated the Parson." One was printed by Henry Playford in '''Apollo's Banquet: The Second Book''' in 1691 and appears in numerous ballad operas such as '''Jovial Crew''' (1731), '''Lovers Opera''' (1730), '''Merry Cobler''' (1735), '''Mock Doctor''' (1732) and '''Old Man''' (1735). A second, different, melody was printed in John Gay's '''Polly''' (1729), reprinted in dancing master Thomas Wilson's '''Companion to the Ball Room''' (1816).  
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Revision as of 04:55, 4 January 2016

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WE'VE CHEATED THE PARSON [1]. AKA - "Boys and Girls Come Out to Play." English, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. "We Cheated the Parson" is also called "Your Hay it is Mow'd" or "Harvest Song" and was a favorite melody from King Arthur, set by English composer Henry Purcell in 1691 to a libretto by John Dryden. It appeared printed on broadside sheets soon afterward ("A New Playhouse song of the husband's delight, suiting the humours of a country Life") and was the vehicle for songs in ballad operas, such as Air XLVI in John Gay's ballad opera Polly (1729). There are two 6/4 or 6/8 melodies called "We've Cheated the Parson." One was printed by Henry Playford in Apollo's Banquet: The Second Book in 1691 and appears in numerous ballad operas such as Jovial Crew (1731), Lovers Opera (1730), Merry Cobler (1735), Mock Doctor (1732) and Old Man (1735). A second, different, melody was printed in John Gay's Polly (1729), reprinted in dancing master Thomas Wilson's Companion to the Ball Room (1816).

Source for notated version:

Printed sources: Wilson (A Companion to the Ball Room), London, 1816; p. 92 (this was the air used by Gay in Polly).

Recorded sources:




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