Annotation:Waltz in der Freischütz: Difference between revisions

Revision as of 02:29, 22 March 2016

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WALTZ IN DER FREISCHÜTZ. This waltz melody, from Carl Maria von Weber's opera "Der Freischütz" [1],appears in several early 19th century publications, including the instrumental tutors of John Aston (A New and Complete Preceptor for the Clarionet, Boston, 1825) and Firth & Hall's Newly Improved Instructor for the Clarinet (New York, c. 1832). It was also entered into the American music manuscripts of M.E. Eames (1859), and flute player H. Canfield (Hartford, CT, 1823).

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-'''WALTZ IN DER FREISCHUTZ.''' This waltz melody, from the opera "Der Freischutz," appears in several early 19th century publications, including the instrumental tutors of John Aston ('''A New and Complete Preceptor for the Clarionet''', Boston, 1825) and '''Firth & Hall's Newly Improved Instructor for the Clarinet''' (New York, c. 1832). It was also entered into the American music manuscripts of M.E. Eames (1859), and flute player H. Canfield (Hartford, CT, 1823).
+'''WALTZ IN DER FREISCHÜTZ.''' This waltz melody, from Carl Maria von Weber's opera "Der Freischütz" [https://en.wikipedia.org/wiki/Der_Freisch%C3%BCtz],appears in several early 19th century publications, including the instrumental tutors of John Aston ('''A New and Complete Preceptor for the Clarionet''', Boston, 1825) and '''Firth & Hall's Newly Improved Instructor for the Clarinet''' (New York, c. 1832). It was also entered into the American music manuscripts of M.E. Eames (1859), and flute player H. Canfield (Hartford, CT, 1823).
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