Annotation:Polly Put the Kettle On (1): Difference between revisions
No edit summary |
No edit summary |
||
| Line 2: | Line 2: | ||
---- | ---- | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
'''POLLY PUT THE KETTLE ON [1].''' AKA - "Molly Put the Kettle On (1)." AKA and see “[[Barney Leave the Girls Alone]],” "[[Jenny's Bawbee]]." Irish, English; Reel. A Dorian (Roche): D Major (Hardings): D Major {'A' and 'B' parts} & A Dorian {'C' and 'D' parts} (Kennedy, Raven). Standard tuning (fiddle). AABB'CCDD' (Kennedy, Raven): AABB (Hardings): AAB (Roche). The collector John Glen (1891) finds an early printing of the tune in Dale's '''Variations for the Pianoforte''' (1794) and remarked it became at that time "very popular with young ladies." "Polly Put the Kettle On" appears in a number of early 19th century musicians' manuscript collections, including those of Ann Winnington (New York, 1810), George Spencer (Leeds, Yorkshire, 1831), James Winder (Lancashire, c. 1835), | '''POLLY PUT THE KETTLE ON [1].''' AKA - "Molly Put the Kettle On (1)." AKA and see “[[Barney Leave the Girls Alone]],” "[[Jenny's Bawbee]]." Irish, English; Reel. A Dorian (Roche): D Major (Hardings): D Major {'A' and 'B' parts} & A Dorian {'C' and 'D' parts} (Kennedy, Raven). Standard tuning (fiddle). AABB'CCDD' (Kennedy, Raven): AABB (Hardings): AAB (Roche). The collector John Glen (1891) finds an early printing of the tune in Dale's '''Variations for the Pianoforte''' (1794) and remarked it became at that time "very popular with young ladies." "Polly Put the Kettle On" appears in a number of early 19th century musicians' manuscript collections, including those of T.J. Dixon (Lincolnshire, 1798), Ann Winnington (New York, 1810), J. Lishman (Lake District, c. 1825), George Spencer (Leeds, Yorkshire, 1831), James Winder (Lancashire, c. 1835), | ||
<br> | <br> | ||
<br> | <br> | ||
Revision as of 21:08, 10 April 2016
Back to Polly Put the Kettle On (1)
POLLY PUT THE KETTLE ON [1]. AKA - "Molly Put the Kettle On (1)." AKA and see “Barney Leave the Girls Alone,” "Jenny's Bawbee." Irish, English; Reel. A Dorian (Roche): D Major (Hardings): D Major {'A' and 'B' parts} & A Dorian {'C' and 'D' parts} (Kennedy, Raven). Standard tuning (fiddle). AABB'CCDD' (Kennedy, Raven): AABB (Hardings): AAB (Roche). The collector John Glen (1891) finds an early printing of the tune in Dale's Variations for the Pianoforte (1794) and remarked it became at that time "very popular with young ladies." "Polly Put the Kettle On" appears in a number of early 19th century musicians' manuscript collections, including those of T.J. Dixon (Lincolnshire, 1798), Ann Winnington (New York, 1810), J. Lishman (Lake District, c. 1825), George Spencer (Leeds, Yorkshire, 1831), James Winder (Lancashire, c. 1835),
O’Neill (1913) relates that a London uilleann piper, one Thomas Garoghan, enthused his audiences by the trick of uttering intelligibly on the chanter “Polly put the kettle on.” One of the oddest appearances of the tune is on the barrel organ from the polar expedition of Admiral Parry of 1810. In place of a ship’s fiddler (common in those days), Parry introduced a barrel organ on board ship to provide entertainment and a vehicle to which the men could exercise (i.e. by dancing). “Polly Put the Kettle On” was one of eight tunes on barrel no. 1. Donegal fiddler Danny O’Donnell recorded the tune in the 78 RPM era, first in a set of three Highlands (followed by “Bundoran Highland (The)” and “Niel Gow's Wife (1)”). He called the set “The Thistle and Shamrock.”
Source for notated version:
Printed sources: Hardings All-Round Collection, 1905; No. 10, p. 4. Kennedy (Fiddlers Tune Book, vol. 1), 1951; No. 51, p. 25. Raven (English Country Dance Tunes), 1984; p. 162. Roche (Collection of Traditional Irish Music, vol. 1), 1912; No. 196, p. 75.
Recorded sources: Saydisc SDL 234, Parry’s Barrel Organ (vol. 11 in the Golden Age of Mechanical Music).