Port a' Bhodaich: Difference between revisions

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c<A(a>f) (=g>B)B>e|c<A (a>g) (a>A) ae|(f<a) (e<g) d>cB<e|c<A a>g (a>A)A>e|
c<A(a>f) (=g>B)B>e|c<A (a>g) (a>A) ae|(f<a) (e<g) d>cB<e|c<A a>g (a>A)A>e|
c<A (a>f) (=g>B)B<e|c<A (a>g) (a>A) a>e|(f/g/a) (e/f/=g) d>cB<eO!D.C.!||
c<A (a>f) (=g>B)B<e|c<A (a>g) (a>A) a>e|(f/g/a) (e/f/=g) d>cB<eO!D.C.!||
</pre>
<pre>
X:2
X:2
T:Port a' Bhodaich
T:Port a' Bhodaich

Revision as of 14:32, 7 May 2016


Port a' Bhodaich  Click on the tune title to see or modify Port a' Bhodaich's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Port a' Bhodaich
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 Theme code Index    1531 1542
 Also known as    
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Strathspey
 Key/Tonic of    A
 Accidental    2 sharps
 Mode    Mixolydian
 Time signature    4/4
 History    
 Structure    AB, AABC
 Editor/Compiler    Alexander McGlashan
 Book/Manuscript title    Book:A Collection of Strathspey Reels
 Tune and/or Page number    p. 28
 Year of publication/Date of MS    1780
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations


X:1
T:Port a Bhodich
M:C
L:1/8
R:Strathspey
B: Köhler’s Violin Repository, Book One (1881, p. 22)
Z:AK/Fiddler's Companion
K:A
e|OA<A e>BG c>BAa|A<A e>c d>cBe|A<A e>B c>Aed|
c<A e>c d>cBeO:||c<A a>g a>AAe|c<A a>f =g>BB<e|
c<A a>g a>Aa>e|f<a e<=g d>cB<e|c<Aa>g a>AAe|
c<A a>f =g>B B>e|c<A a>g a>A a>e|(f/g/a) (e/f/=g) d>cB<e||
d/c/B/A/ A,A cAA,e|d/c/B/A/ A,e dBB<e|d/c/B/A/ A,e d/c/B/A/ A,e|
d/c/B/c/A/ A,e dBB<e|d/c/B/A/ A,e cAA<e|d/c/B/A/ A,e dBB<e|
d/c/B/A/ A,A A,(A/B/)cA|A,(A/B/) cA d>cB<e||c<A (a>g) (a>A)Ae|
c<A(a>f) (=g>B)B>e|c<A (a>g) (a>A) ae|(f<a) (e<g) d>cB<e|c<A a>g (a>A)A>e|
c<A (a>f) (=g>B)B<e|c<A (a>g) (a>A) a>e|(f/g/a) (e/f/=g) d>cB<eO!D.C.!||
X:2
T:Port a' Bhodaich
M:C|
L:1/8
S:Strathspey
B:Stewart-Robertson – The Athole Collection  (1884)
Z:AK/Fiddler’s Companion
K:A
e| A<Ae>B c>B A<a | A<Ae>c d>c B<e | A<Ae>B c<Ae>d | 
c<Ae<A d>cB>e |A<Ae>B c>B A<a | A<Ae>c d>cBE | 
A<Ae>B c<Ae>d | c<Ae>c d>cB>e ||c<Aa>g a<AA>e | 
c<Aa>f =g<BB>e | c<Aag a>AA>e | f<ae<=g d>c B<e |
c<Aa>g a<AA>e | cAfa =g<BB>e | c<Aa>g a>Aa>e | 
f/g/a e/f/=g d>cB<e ||d/c/B/A/ A,>A c<AA<e | d/c/B/A/ A,>e d<BB>e | 
d/c/B/A/ A,>e d/c/B/A/ A,>e |d/c/B/A/ A,>e d<BB<e | d/c/B/A/ A,>e c<AA>e | 
d/c/B/A/ A,>e d<BB>e |d/c/B/A/ A,>A AA/B/ c>A d>cB<e || c<Aa>g a<AA>e | 
c<Aa>f =g<BB>e | c<Aa>g a>Aa>e| f<ae<=g d>cB<e | c<Aa>g a<AA>e | 
c<Aa>f =g<BB>e | c<Aa>g a>Aa>e|f/g/a e/f/=g d>cB |]

Tune annotations