Annotation:Appin House (2): Difference between revisions

Find traditional instrumental music
*>Move page script
No edit summary
Line 1: Line 1:
Although in four parts like version #1 and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning on the violin in the 19th century.  
Although in four parts like "[[Appin House (1)]]" and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning on the violin in the 19th century.  


Printed sources: Gow ('''Complete Repository'''), Part 4, 1817; pg. 33. McGlashan ('''Collection of Strathspey Reels'''), c. 1780/81; pg. 21. Stewart-Robertson ('''The Athole Collection'''), 1884; pg. 2.
Printed sources: Gow ('''Complete Repository, Part 4'''), 1817; p. 33. McGlashan ('''Collection of Strathspey Reels'''), c. 1780/81; p. 21. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 2.

Revision as of 17:30, 14 July 2016

Although in four parts like "Appin House (1)" and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning on the violin in the 19th century.

Printed sources: Gow (Complete Repository, Part 4), 1817; p. 33. McGlashan (Collection of Strathspey Reels), c. 1780/81; p. 21. Stewart-Robertson (The Athole Collection), 1884; p. 2.