Annotation:Appin House (2): Difference between revisions
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Although in four parts like | Although in four parts like "[[Appin House (1)]]" and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning on the violin in the 19th century. | ||
Printed sources: Gow ('''Complete Repository''') | Printed sources: Gow ('''Complete Repository, Part 4'''), 1817; p. 33. McGlashan ('''Collection of Strathspey Reels'''), c. 1780/81; p. 21. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 2. |
Revision as of 16:30, 14 July 2016
Although in four parts like "Appin House (1)" and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning on the violin in the 19th century.
Printed sources: Gow (Complete Repository, Part 4), 1817; p. 33. McGlashan (Collection of Strathspey Reels), c. 1780/81; p. 21. Stewart-Robertson (The Athole Collection), 1884; p. 2.