Annotation:Wild Horses at Stony Point: Difference between revisions
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[[File:day2.jpg|370px|thumb|right|Note that Day is a left-handed fiddler, but played a right-handed instrument without altering the strings]] | |||
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''Printed sources'': Spadaro ('''10 Cents a Dance'''), 1980; p. 31. Burke ('''Book of Old Time Fiddle Tunes for Banjo'''), 1968; p. 61. | ''Printed sources'': Spadaro ('''10 Cents a Dance'''), 1980; p. 31. Burke ('''Book of Old Time Fiddle Tunes for Banjo'''), 1968; p. 61. | ||
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''Recorded sources'': <font color=teal> Victor 40025A (78 RPM), Jilson Setters (who used the pseudonym Blind Bill Day) (1928, as "The wild horse on Stoney Point"). </font> | |||
''Recorded sources'': <font color=teal> Victor 40025A (78 RPM), Jilson Setters (1928, as "The wild horse on Stoney Point"). </font> | |||
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Revision as of 07:21, 29 December 2016
Back to Wild Horses at Stony Point
WILD HORSES AT STONY POINT. AKA and see "Old Dad," "Stoney Point (1)," "Wild Horses," "Pigtown Fling." Old-Time, Bluegrass; Breakdown/Reel. G Major. Standard tuning (fiddle). AABBCC. One of a number of tune variations and titles derived from "Miss McLeod's Reel (1)" and its Scottish ancestor "Mrs. MacLeod of Raasay."
Source for notated version:
Printed sources: Spadaro (10 Cents a Dance), 1980; p. 31. Burke (Book of Old Time Fiddle Tunes for Banjo), 1968; p. 61.
Recorded sources: Victor 40025A (78 RPM), Jilson Setters (who used the pseudonym Blind Bill Day) (1928, as "The wild horse on Stoney Point").
See also listing at:
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [1]
Old Time Frederick [2]