Annotation:Panelmine Jig (The): Difference between revisions

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PANELMINE JIG, THE. Canadian, Jig. Canada, Cape Breton. A Major. Standard tuning (fiddle). AA’BB’. Composed by fiddler biography:John Campbell (1919–2010, Boston, Mass., originally from Glenora Falls, Inverness County, Cape Breton) in 1956. Paul Cranford (1997) remarks that Campbell composed this tune while working in Elliot Lake, Ontario, at the mine of the title, prior to moving to Boston. Fitzgerald’s version is a bit distanced from the way Campbell composed it.

Source for notated version: Winston Fitzgerald (1914–1987, Cape Breton) [Cranford].

Printed sources: Cranford (Winston Fitzgerald: A Collection of Fiddle Tunes), 1997; No. 170, p. 68. Ruckert (John Campbell: A Cape Breton Legacy), 2009; p. 27.

Recorded sources: Celtic CX59, Winston Fitzgerald (appears as second tune of the medley “Salute to Boston,” paired with “Pattern Day”). Rounder Records 7057, Jerry Holland – “Parlor Music” (2005). Brenda Stubbert – "Endless Memories" (2008).

See also listing at:
Alan Snyder's Cape Breton Fiddle Recording Index [1]

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+[[File:johncampbell8.jpg|200px|thumb|left|John Campbell]]
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-'''PANELMINE JIG, THE.''' Canadian, Jig. Canada, Cape Breton. A Major. Standard tuning (fiddle). AA’BB’. Composed by fiddler [[biography:John Campbell]] (1919-2010, Boston, Mass., originally from Glenora Falls, Inverness County, Cape Breton) in 1956. Paul Cranford (1997) remarks that Campbell composed this tune while working in Elliot Lake, Ontario, at the mine of the title, prior to moving to Boston. Fitzgerald’s version is a bit distanced from the way Campbell composed it.
+'''PANELMINE JIG, THE.''' Canadian, Jig. Canada, Cape Breton. A Major. Standard tuning (fiddle). AA’BB’. Composed by fiddler [[biography:John Campbell]] (1919–2010, Boston, Mass., originally from Glenora Falls, Inverness County, Cape Breton) in 1956. Paul Cranford (1997) remarks that Campbell composed this tune while working in Elliot Lake, Ontario, at the mine of the title, prior to moving to Boston. Fitzgerald’s version is a bit distanced from the way Campbell composed it.
-[[File:johncampbell8.jpg|200px|thumb|left|John Campbell]]
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 </font></p>
 <p><font face="garamond, serif" size="4">
-''Source for notated version'': Winston Fitzgerald (1914-1987, Cape Breton) [Cranford].
+''Source for notated version'': Winston Fitzgerald (1914–1987, Cape Breton) [Cranford].
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 </font></p>
 <p><font face="garamond, serif" size="4">
-''Printed sources'': Cranford ('''Winston Fitzgerald'''), 1997; No. 170, p. 68. Ruckert ('''John Campbell: A Cape Breton Legacy'''), 2009.
+''Printed sources'': Cranford ('''Winston Fitzgerald: A Collection of Fiddle Tunes'''), 1997; No. 170, p. 68.
+Ruckert ('''John Campbell: A Cape Breton Legacy'''), 2009; p. 27.
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 <br>
 </font></p>
 <p><font face="garamond, serif" size="4">
-''Recorded sources'': <font color=teal>Celtic CX59, Winston Fitzgerald (appears as second tune of the medley “Salute to Boston,” paired with “Pattern Day”). Rounder Records 7057, Jerry Holland – “Parlor Music” (2005). Brenda Stubbert - "Endless Memories" (2008).</font>
+''Recorded sources'':
+<font color=teal>Celtic CX59, Winston Fitzgerald (appears as second tune of the medley “Salute to Boston,” paired with “Pattern Day”).
+Rounder Records 7057, Jerry Holland – “Parlor Music” (2005).
+Brenda Stubbert – "Endless Memories" (2008).
+</font>
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 <br>