Argyle's Bowling Green: Difference between revisions

Revision as of 17:27, 1 February 2017

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Theme code Index	11H1H3H 1H1H53
Also known as	Argyle Bowling Green, Argile's Bouling Green, Argyleshire Boulling Green (The), Behind the Door, Braes of Glencoe
Composer/Core Source
Region	Scotland
Genre/Style	Cape Breton/PEI, Scottish
Meter/Rhythm	Reel (single/double)
Key/Tonic of	C
Accidental	NONE
Mode	Ionian (Major)
Time signature	4/4
History	CANADA(Maritimes/English)
Structure	AAB
Editor/Compiler	Robert Bremner
Book/Manuscript title	Book:Scots Reels
Tune and/or Page number	p. 70
Year of publication/Date of MS	1757
Artist	Biography:Wendy MacIsaac
Title of recording	That’s What You Get
Record label/Catalogue nr.	WMT002
Year recorded	1998?
Media
Score ()

ARGLYE('S) BOWLING GREEN. AKA and see “Braes of Glencoe.” Scottish, Reel. C Major. Standard tuning (fiddle). AB (Gow/Repository, Surenne); AAB (most versions); AABBCCDD (Bremner). The melody appears in the Drummond Castle Manuscript, inscribed "A Collection of Country Dances written for the use of his Grace the Duke of Pert by Dav. Young, 1734,” which in the early 1970's was in the possession of the Earl of Ancaster at Drummond Castle. A melody entitled "Argyle's Bowling Green" appears in the Holmain Manuscript (1710–1750), a six page book of instructions for country dances. However, perhaps not aware of those sources, antiquarian John Glen found the earliest appearance of the piece in Robert Bremner's 1757 collection (Scots Reels, p. 70). It has been suggested that the ‘bowling green’ title is an Englished corruption of the Gaelic "buaile na greine" (sunny cattle-fold). However, Argyle’s Bowling Green is also the nickname of a range of hills and mountains known as the ‘Arrochar Alps’, especially as seen from the fjord-like Loch Long. A melody by this name (“Argile’s Bouling Green”) appears in the Holmain Manuscript (1710–1750), a six page book of instructions for country dances. The name Argyll derives from the Gaelic ‘Airer Gaedel,’ or ‘coast of the Gaels,’ and refers to the area of Scotland first invaded by the Irish tribes in the 5th century.

The tune also appears in the music manuscript collection (No. 49) of piper Robert Miller (1789–1861), born in Perth, who enlisted as a drummer boy in the Breadalbane Fencibles at age nine to begin a long military career. In 1821 he began to compile his "Highland Manuscript" of Scottish pipe music. Miller also was a pipe-maker and made improvements to the design of the instrument.

Source for notated version: George MacPhee (b. 1941, Monticello, North-East Kings County, Prince Edward Island) [Perlman].

Printed sources: Bremner (Scots Reels), 1757; p. 70. Gow (Complete Repository, Part 4), 1817; p. 31. Kerr (Merry Melodies, vol. 2); No. 85, p. 12. Lowe's Collection of Reels, Strathspeys and Jigs, book 1, 1844; p. 17. MacDonald (The Skye Collection), 1887; p. 120. Perlman (The Fiddle Music of Prince Edward Island), 1996; p. 119. Stewart-Robertson (The Athole Collection), 1884; p. 66. Surenne (Dance Music of Scotland), 1852; p. 71.

Recorded sources: WMT002, Wendy MacIsaac – “That’s What You Get” (1998?).

X:1
T:Argyle Bowling Green
M:C|
L:1/8
R:Reel
B:Stewart-Robertson – The Athole Collection  (1884)
Z:AK/Fiddler’s Companion
K:C
E|C2c2 cded|cdcA G^FED|C2c2 cded|cBcE D3:|
c|GecE GEEA|GecE G2 GA|GecE GEEF|GAGE D2Da|
gec'e geea|gec'e g2ga|gec'e geef|gage d2d||

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-The tune also appears in the music manuscript collection (No. 49) of piper Robert Miller (1789-1861), born in Perth, who enlisted as a drummer boy in the Breadalbane Fencibles at age nine to begin a long military career. In 1821 he began to compile his "Highland Manuscript" of Scottish pipe music. Miller also was a pipe-maker and made improvements to the design of the instrument.
+The tune also appears in the music manuscript collection (No. 49) of piper Robert Miller (1789–1861), born in Perth, who enlisted as a drummer boy in the Breadalbane Fencibles at age nine to begin a long military career. In 1821 he began to compile his "Highland Manuscript" of Scottish pipe music. Miller also was a pipe-maker and made improvements to the design of the instrument.
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-''Printed sources'': Bremner ('''Scots Reels'''), 1757; p. 70. Gow ('''Complete Repository, Part 4'''), 1817; p. 31. Kerr ('''Merry Melodies, vol. 2'''); No. 85, p. 12. Lowe ('''A Collection of Reels and Strathspeys'''), 1844. MacDonald ('''The Skye Collection'''), 1887; p. 120. Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 119. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 66. Surenne ('''Dance Music of Scotland'''), 1852; p. 71.
+''Printed sources'': Bremner ('''Scots Reels'''), 1757; p. 70. Gow ('''Complete Repository, Part 4'''), 1817; p. 31. Kerr ('''Merry Melodies, vol. 2'''); No. 85, p. 12. '''Lowe's Collection of Reels, Strathspeys and Jigs, book 1''', 1844; p. 17. MacDonald ('''The Skye Collection'''), 1887; p. 120. Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 119. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 66. Surenne ('''Dance Music of Scotland'''), 1852; p. 71.
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