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'''RAINY DAY [1], A ''' (An Lá Báistí or La Baisteac).  Irish, Reel. A Dorian. Standard tuning (fiddle). AB. Similar to “[[Lovely Anne (2)]]" in the first strain.  
'''RAINY DAY [1], THE''' (An Lá Báistí or La Baisteac).  Irish, Reel. A Dorian. Standard tuning (fiddle). AB. Similar to “[[Lovely Anne (2)]]" in the first strain.  
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''Printed sources'': Breathnach ('''Ceol V, No. 2'''), 1982. Breathnach ('''The Man and His Music'''), 1997; No. 1, p. 71. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 473, p. 91.
''Printed sources'':
Breathnach, ''Ceol: A Journal of Irish Music'', vol. 5, no. 2, 1982; p. 51a.
Breathnach ('''The Man and His Music'''), 1997; No. 1, p. 71. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 473, p. 91.
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Revision as of 04:56, 5 February 2017

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RAINY DAY [1], THE (An Lá Báistí or La Baisteac). Irish, Reel. A Dorian. Standard tuning (fiddle). AB. Similar to “Lovely Anne (2)" in the first strain.

Source for notated version: noted from the playing of uilleann piper Séamus Ennis (Dublin), who learned them from his father, a piper taught by Nicholas Markey who in turn had been taught by the renowned Billy Taylor of Drogheda and later Philadelphia [Breathnach].

Printed sources: Breathnach, Ceol: A Journal of Irish Music, vol. 5, no. 2, 1982; p. 51a. Breathnach (The Man and His Music), 1997; No. 1, p. 71. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 473, p. 91.

Recorded sources: Seamus Tansey – “Jigs, Reels and Airs.”




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