London March (1): Difference between revisions

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=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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Revision as of 20:58, 22 February 2017


London March (1)  Click on the tune title to see or modify London March (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:London March (1)
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 Theme code Index    3332 1565
 Also known as    Lord Loudon's March
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABB
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 4
 Tune and/or Page number    No. 54, p. 21
 Year of publication/Date of MS    1796
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations


X:1
%
T:London March
M:C
L:1/8
R:March
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 54, p. 21)
Z:AK/Fiddler’s Companion
K:D
F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E|
F2F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>cd>g|f2 e>d d4:||
a>gf>g a>ag>f|e>fg>e f2e2|d>dd>e f>ff>g|a>ag>f f2e2|
A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2 F>E|
F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E|
F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4||
X: 1
%
T:London March. JGi.114
M:C
L:1/8
Q:1/4=130
S:Joshua Gibbons MS,1823,Tealby,Lincs.
R:march
O:Tealby,Lincolnshire
Z:VMP/R.Greig, 2009
K:C
E2E>EE2D2|CE GcA2G2|AcGc FAEA|DCDE DFED|
E2E>EE2D2|CEGcA2G2|AcGc EGcd|e2d2c4:|
|:g>fed ggfe|defee2d2|c>dc>d e>fe>f|ggfee2d2|
g>fe>f ggfe|defee2d2|c>dc>d e>fe>f|
ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG|
DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:|
X:1
%
T:London March,The. TJD.54
M:C
L:1/8
Q:1/4=140
S:T.J.Dixon MS2, Lincolnshire, early 19thC
R:march
N:Repeat mark added at end
A:Lincolnshire, Holton le Moor
Z:vmp.R.Greig2010
K:G
B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|A2A>A A>cB>A|!
B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|b2a2g4:|!
|:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|!
d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|]
X: 1
%
T:London March,The. JMT.020
M:C
L:1/8
Q:1/4=140
S:J.Moore,Tyneside,1841.(14a)
R:.March
O:England
A:Northumbria
N:Irregular (bar missed out in the B music?
Z:vmp.John Adam
K:D
|:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 |!
F2 FF F2 E2 | DFAdB2 A2 | Bd Ad FA dg | f2 e2 d2 :||:!
(3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 |!
df Ad B2 A2 | Bd Ad Gd Fd |  E>DEF E4 | F2 FF F2 E2 |!
DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :|
W:Try repeating the first bar.
X:1
%
T:London March.TLY.015
M:4/4
L:1/8
Q:1/2=90
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
N:I have removed the D>E from the end of the A strain to the
N:beginning.CGP.
H:1860.
Z:vmp.Taz Tarry.
K:D
"*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|!
F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2|\
BdAd Gc ((3efg)|f2~e2d2:|!
|:f>g|a>gf>g g>agf|e>fg>g f2 e2|\
dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|!
|:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!
F2 F>F F2 E2|DFAd B2A2|\
BdAd ((3Bcd) ((3efg)|f2~e2d4:|
X:1
T:London March, The
M:C|
L:1/8
R:March
B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 44)
Z:AK/Fiddler’s Companion
K:D
(DE)|F2 FF F2E2|D/E/F/G/ A/B/c/d/ {c}B2A2|BdAd GdFd|EDEF EGFE|
F2 FF F2E2|DFAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|
|:a2|a>gfg a2 gf|e>fgf f2 {gf}e2|DDDE FFFG|AAGF F2E2|
a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2|
f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|]

Tune annotations