Annotation:Braes of Bushbie (2): Difference between revisions

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'''BRAES OF BUSHBIE [2]'''. AKA - "Braes of Busbie." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his '''Collection''' (1789). A note in Nathaniel Gow's '''Sixth Collection''' (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "[[Dowd's Favorite (1)]]," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality.  
'''BRAES OF BUSHBIE [2]'''. AKA – "Braes of Busbie." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his '''Collection''' (1789). A note in Nathaniel Gow's '''Sixth Collection''' (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "[[Dowd's Favorite (1)]]," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality.  
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''Printed sources'': Aird ('''Sixth and Last Volume of Scotch, English, Irish and Foreign Airs'''), 1803; No. 91, p. 35. Cole ('''1000 Fiddle Tunes'''), 1940; p. 128. Cranford ('''Jerry Holland's Collection vol. 1'''), 1995; No. 187, p. 53. Gow ('''Sixth Collection of Strathspey Reels'''), 1822; p. 27. Hardie ('''Caledonian Companion'''), 1992; p. 85. Henderson ('''Flowers of Scottish Melody'''), 1935. Howe ('''1000 Jigs and Reels'''), c. 1867; p. 134. McFadyen, '''Repository of Scots and Irish Airs, vol. 1'''), c. 1795. O'Farrell ('''Pocket Companion, vol. II'''), c. 1806; p. 140 (appears as "Braes of Busbie"). '''Ryan's Mammoth Collection''', 1883; p. 167 (strathspey setting).
''Printed sources'':
Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 6'''), 1803; No. 91, p. 35.
Cole ('''1000 Fiddle Tunes'''), 1940; p. 128.
Cranford ('''Jerry Holland's Collection of Fiddle Tunes'''), 1995; No. 187, p. 53.
Gow ('''Sixth Collection of Strathspeys, Reels and Slow Tunes'''), 1822; p. 27.
Hardie ('''Caledonian Companion'''), 1992; p. 85.
Henderson ('''Flowers of Scottish Melody'''), 1935; no. 21, p. 8.
Howe ('''1000 Jigs and Reels'''), c. 1867; p. 134.
McFadyen ('''Repository of Scots and Irish Airs, vol. 1'''), c. 1795.
O'Farrell ('''Pocket Companion, vol. 2'''), c. 1806; p. 140 (appears as "Braes of Busbie").
'''Ryan's Mammoth Collection''', 1883; p. 167 (strathspey setting).
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''Recorded sources'': <font color=teal> Jerry O'Sullivan - "O'Sullivan meets O'Farrell" (2005).</font>
''Recorded sources'':
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Jerry O'Sullivan – "O'Sullivan meets O'Farrell" (2005).</font>
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Revision as of 17:09, 2 March 2017

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BRAES OF BUSHBIE [2]. AKA – "Braes of Busbie." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his Collection (1789). A note in Nathaniel Gow's Sixth Collection (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "Dowd's Favorite (1)," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality.

Sources for notated versions: Cape Breton strathspey setting is from fiddler Bill Lamey via Jerry Holland (Inverness, Cape Breton) [Cranford]; McFadyen's Repository (1795) [Henderson].

Printed sources: Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 6), 1803; No. 91, p. 35. Cole (1000 Fiddle Tunes), 1940; p. 128. Cranford (Jerry Holland's Collection of Fiddle Tunes), 1995; No. 187, p. 53. Gow (Sixth Collection of Strathspeys, Reels and Slow Tunes), 1822; p. 27. Hardie (Caledonian Companion), 1992; p. 85. Henderson (Flowers of Scottish Melody), 1935; no. 21, p. 8. Howe (1000 Jigs and Reels), c. 1867; p. 134. McFadyen (Repository of Scots and Irish Airs, vol. 1), c. 1795. O'Farrell (Pocket Companion, vol. 2), c. 1806; p. 140 (appears as "Braes of Busbie"). Ryan's Mammoth Collection, 1883; p. 167 (strathspey setting).

Recorded sources: Jerry O'Sullivan – "O'Sullivan meets O'Farrell" (2005).



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