Annotation:Charle Lorraine (La): Difference between revisions

Find traditional instrumental music
No edit summary
(Fix citation)
Line 2: Line 2:
----
----
<p><font face="garamond, serif" size="4">
<p><font face="garamond, serif" size="4">
'''CHARLE LORRAINE, LA.''' French, Country Dance (6/8 time). G Major. Standard tuning (fiddle). AABB. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d'Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters.  He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass.  
'''CHARLE LORRAINE, LA.''' French, Country Dance (6/8 time). G Major. Standard tuning (fiddle). AABB. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d'Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters.  He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass.  
<br>
<br>
<br>
<br>
Line 12: Line 12:
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="garamond, serif" size="4">
''Printed sources'': Daubat ('''Cent Contredanses en Rond'''), 1757; 2nd tune.
''Printed sources'':
Daubat ('''Cent Contredanses en Rond'''), 1757; p. xiii.
<br>
<br>
<br>
<br>

Revision as of 18:05, 2 March 2017

Back to Charle Lorraine (La)


CHARLE LORRAINE, LA. French, Country Dance (6/8 time). G Major. Standard tuning (fiddle). AABB. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d'Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass.

Source for notated version:

Printed sources: Daubat (Cent Contredanses en Rond), 1757; p. xiii.

Recorded sources:




Back to Charle Lorraine (La)