Annotation:McDermott's Hornpipe (1): Difference between revisions
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'''McDERMOTT'S HORNPIPE [1]''' (Cornphíopa Mhic Dhiarmada). The AKA and see "[[Dunn's Hornpipe]]," "[[Flowers of Antrim (1) (The)]]," "[[Marquis of Lorne (1)]]," "[[McDanaugh's Clog]]," "[[McDonaugh's Clog]]," "[[Newry Hornpipe (The)]]," "[[Sligo Fancy (The)]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB (Phillips): AA'BB'CC'D. | '''McDERMOTT'S HORNPIPE [1]''' (Cornphíopa Mhic Dhiarmada). The AKA and see "[[Dunn's Hornpipe]]," "[[Flowers of Antrim (1) (The)]]," "[[Marquis of Lorne (1)]]," "[[McDanaugh's Clog]]," "[[McDonaugh's Clog]]," "[[Newry Hornpipe (The)]]," "[[Sligo Fancy (The)]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB (Phillips): AA'BB'CC'D. | ||
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[[File:coleman.jpg|200px|thumb|left|Michael Coleman]] | [[File:coleman.jpg|200px|thumb|left|Michael Coleman]] | ||
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This is the second hornpipe in an amalgamated tune (a pairing of "[[Galway Hornpipe (1) (The)]]" and "[[Sligo Fancy (The)]]") that was recorded by renowned County Sligo fiddler Michael Coleman [http://en.wikipedia.org/wiki/Michael_Coleman_%28musician%29] (1891-1945) on a 78 RPM recording in New York in 1922. The set was named by Coleman after Bunnanadden, County Sligo, fiddler and publican Peter James (P.J.) McDermott (b. 1874), who had a strong influence on Coleman when he was learning to play in Ireland. The provenance is unknown: the first strain is cognate with the Scottish "[[Marquis of Lorne (1)]]" printed by James S. Kerr in the 1880's. | This is the second hornpipe in an amalgamated tune (a pairing of "[[Galway Hornpipe (1) (The)]]" and "[[Sligo Fancy (The)]]") that was recorded by renowned County Sligo fiddler Michael Coleman [http://en.wikipedia.org/wiki/Michael_Coleman_%28musician%29] (1891-1945) on a 78 RPM recording in New York in 1922. The set was named by Coleman after Bunnanadden, County Sligo, fiddler and publican Peter James (P.J.) McDermott (b. 1874), who had a strong influence on Coleman when he was learning to play in Ireland. The provenance is unknown: the first strain is cognate with the Scottish "[[Marquis of Lorne (1)]]" printed by James S. Kerr in the 1880's. | ||
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''Sources for notated versions'': Andy McGann ( | ''Sources for notated versions'': Andy McGann (1928–2004, New York City) [Phillips]; accordion player Paddy O'Brien, 1970 (Dublin, Ireland) [Breathnach]; Montreal fiddler Jean Carignan [Miller & Perron]. | ||
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''Printed sources'': Alewine ('''Maid that Cut Off the Chicken's Lips'''), 1987; p. 24. | ''Printed sources'': | ||
Alewine ('''Maid that Cut Off the Chicken's Lips'''), 1987; p. 24. | |||
Breathnach ('''CRÉ 2'''), 1976; No. 299, p. 153. | |||
Miller & Perron ('''Irish Traditional Fiddle Music'''), 1977; vol. 3, No. 33. | |||
Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 118. | |||
Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1989; p. 37. | |||
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''Recorded sources'': <font color=teal>OKEH 4703 (78 RPM), Michael Coleman (1922). Shanachie 29009, "Andy McGann & Paul Brady" (learned from Katherine Brennan). Shaskeen Records OS-360, Andy McGann, Felix Dolan, Joe Burke | ''Recorded sources'': | ||
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OKEH 4703 (78 RPM), Michael Coleman (1922). | |||
Shanachie 29009, "Andy McGann & Paul Brady" (learned from Katherine Brennan). | |||
Shaskeen Records OS-360, Andy McGann, Felix Dolan, Joe Burke – "A Tribute to Michael Coleman" (c. 1965). | |||
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Revision as of 03:36, 14 March 2017
Back to McDermott's Hornpipe (1)
McDERMOTT'S HORNPIPE [1] (Cornphíopa Mhic Dhiarmada). The AKA and see "Dunn's Hornpipe," "Flowers of Antrim (1) (The)," "Marquis of Lorne (1)," "McDanaugh's Clog," "McDonaugh's Clog," "Newry Hornpipe (The)," "Sligo Fancy (The)." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB (Phillips): AA'BB'CC'D.
This is the second hornpipe in an amalgamated tune (a pairing of "Galway Hornpipe (1) (The)" and "Sligo Fancy (The)") that was recorded by renowned County Sligo fiddler Michael Coleman [1] (1891-1945) on a 78 RPM recording in New York in 1922. The set was named by Coleman after Bunnanadden, County Sligo, fiddler and publican Peter James (P.J.) McDermott (b. 1874), who had a strong influence on Coleman when he was learning to play in Ireland. The provenance is unknown: the first strain is cognate with the Scottish "Marquis of Lorne (1)" printed by James S. Kerr in the 1880's.
Sources for notated versions: Andy McGann (1928–2004, New York City) [Phillips]; accordion player Paddy O'Brien, 1970 (Dublin, Ireland) [Breathnach]; Montreal fiddler Jean Carignan [Miller & Perron].
Printed sources:
Alewine (Maid that Cut Off the Chicken's Lips), 1987; p. 24.
Breathnach (CRÉ 2), 1976; No. 299, p. 153.
Miller & Perron (Irish Traditional Fiddle Music), 1977; vol. 3, No. 33.
Miller & Perron (Irish Traditional Fiddle Music), 2nd Edition, 2006; p. 118.
Phillips (Traditional American Fiddle Tunes, vol. 1), 1989; p. 37.
Recorded sources:
OKEH 4703 (78 RPM), Michael Coleman (1922).
Shanachie 29009, "Andy McGann & Paul Brady" (learned from Katherine Brennan).
Shaskeen Records OS-360, Andy McGann, Felix Dolan, Joe Burke – "A Tribute to Michael Coleman" (c. 1965).
See also listing at:
Alan Ng's Irishtune.info [2]
Hear Coleman's 1922 recording played on a gramophone on youtube.com [3]