Annotation:Jove in His Chair: Difference between revisions
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The melody O'Hara used for "Jove in His Chair" is "[[King of Prussia's March]]," set to the following words, sung by a chorus of gods gathered in Olympus: | The melody O'Hara used for "Jove in His Chair" is "[[King of Prussia's March]]," set to the following words, sung by a chorus of gods gathered in Olympus, in the opening scene: | ||
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''Jove, in his chair,''<br> | ''Jove, in his chair,''<br> | ||
Revision as of 17:29, 21 May 2017
Back to Jove in His Chair
JOVE IN HIS CHAIR. AKA and see "King of Prussia's March." Irish, English; March and Air (whole time). G Major. Standard tuning (fiddle). AB. "Jove and His Chair" is a piece from Dublin-born Kane O'Hara's (1711-1782) first publicly performed piece, the burletta Midas, staged in Dublin in 1760. It was a pastiche of Irish, English, French and Italian popular airs, linked by O'Hara's recitative, and bridged the gap between ballad opera and comic opera. O'Hara took it to the London stage at the Theatre-Royal, Covent-Garden, in 1764.
The melody O'Hara used for "Jove in His Chair" is "King of Prussia's March," set to the following words, sung by a chorus of gods gathered in Olympus, in the opening scene:
Jove, in his chair,
Of the sky Lor'd-May'r
With his nods
Men and Gods
Keeps in awe,
When he winks
Heaven shrinks,
When he speaks
Hell squeaks
Earth's globe is but his taw.
Source for notated version:
Printed sources:
Recorded sources: