Annotation:Jove in His Chair: Difference between revisions
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'''JOVE IN HIS CHAIR.''' Irish, English; March and Air (whole time). G Major. Standard tuning (fiddle). AB. "Jove and His Chair" is a piece from Dublin-born Kane O'Hara's (1711-1782) first publicly performed piece, the burletta '''Midas''', staged in Dublin in 1760. It was a pastiche of Irish, English, French and Italian popular airs, linked by O'Hara's recitative, and bridged the gap between ballad opera and comic opera. O'Hara took it to the London stage at the Theatre-Royal, Covent-Garden, in 1764. | '''JOVE IN HIS CHAIR.''' AKA and see "[[Bedfordshire March (The)]]," "[[King of Prussia's March]]." Irish, English; March and Air (whole time). G Major. Standard tuning (fiddle). AB. "Jove and His Chair" is a piece from Dublin-born Kane O'Hara's (1711-1782) first publicly performed piece, the burletta '''Midas''', staged in Dublin in 1760. It was a pastiche of Irish, English, French and Italian popular airs, linked by O'Hara's recitative, and bridged the gap between ballad opera and comic opera. O'Hara took it to the London stage at the Theatre-Royal, Covent-Garden, in 1764. | ||
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''Earth's globe is but his taw.''<br> | ''Earth's globe is but his taw.''<br> | ||
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O'Hara has been criticized for trite and banal ideas and doggeral verse, but this march and air proved popular. As a march it was published in a number of latter 19th century instrumental tutors and martial music collections, while as a song it can be found in '''Calliope''' (1788). It was also entered into a number of period musicians' manuscript collections on both sides of the Atlantic. | |||
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Revision as of 17:45, 21 May 2017
Back to Jove in His Chair
JOVE IN HIS CHAIR. AKA and see "Bedfordshire March (The)," "King of Prussia's March." Irish, English; March and Air (whole time). G Major. Standard tuning (fiddle). AB. "Jove and His Chair" is a piece from Dublin-born Kane O'Hara's (1711-1782) first publicly performed piece, the burletta Midas, staged in Dublin in 1760. It was a pastiche of Irish, English, French and Italian popular airs, linked by O'Hara's recitative, and bridged the gap between ballad opera and comic opera. O'Hara took it to the London stage at the Theatre-Royal, Covent-Garden, in 1764.
The melody O'Hara used for "Jove in His Chair" is a version of "King of Prussia's March," set to the following words, sung in the opening scene by a chorus of gods gathered in Olympus:
Jove, in his chair,
Of the sky Lor'd-May'r
With his nods
Men and Gods
Keeps in awe,
When he winks
Heaven shrinks,
When he speaks
Hell squeaks
Earth's globe is but his taw.
O'Hara has been criticized for trite and banal ideas and doggeral verse, but this march and air proved popular. As a march it was published in a number of latter 19th century instrumental tutors and martial music collections, while as a song it can be found in Calliope (1788). It was also entered into a number of period musicians' manuscript collections on both sides of the Atlantic.
Source for notated version:
Printed sources:
Recorded sources: