Bonny Gray-Eyed Morn: Difference between revisions

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|f_genre=English
|f_genre=English
|f_rhythm=Air/Lament/Listening Piece
|f_rhythm=Air/Lament/Listening Piece
|f_time_signature=4/4, 2/2
|f_time_signature=2/2, 4/4
|f_key=B
|f_key=B
|f_accidental=2 flats
|f_accidental=2 flats
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AB
|f_structure=AB, AABB
|f_book_title=The Beggar's Opera
|f_book_title=The Beggar's Opera
|f_collector=John Gay
|f_collector=John Gay
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<pre>
<pre>
X:1
X:1
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T:Bonny Grey-Ey'd Morn
T:Bonny Grey-Ey'd Morn
M:C
M:C
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<pre>
<pre>
X:1
X:1
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T:Bonny Grey-Eyed Morn, The
T:Bonny Grey-Eyed Morn, The
M:C|
M:C|
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<pre>
<pre>
X:1
X:1
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T:Bonny gray eye’d morn, The
T:Bonny gray eye’d morn, The
M:C
M:C
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e|ecec A3a|afaf d3f|gBec B2- ^Af|edcB B2 zF|
e|ecec A3a|afaf d3f|gBec B2- ^Af|edcB B2 zF|
BcdB g3f|fBed c3A|dfeg faba|gfe>d d3||
BcdB g3f|fBed c3A|dfeg faba|gfe>d d3||
</pre>
<pre>
X:1
%
T:Bonny Grey Eyed Morn, The
M:C
L:1/8
R:Air
Q:"Slow"
B:Davie's Caledonian Repository (Aberdeen, 1829-30, p. 22)
Z:AK/Fiddler’s Companion
K:Bb
F|(B>A)(Bc) {Bc}d2 (cB)|(d>e)(f>g) f3g|(f>g)(f>d) (ed)(cB)|(A<B)(c>d) c3d|
(e>d)(cB) {B}A2 G>A|(BA)(GF) {F}=E2zC|(FA)(GB) (Ac)(Bd)|(BA)(G>F) F3:|
|:A|(c<A)(c<A) F3d|(f<d)(d<d) B3d|(eB)(cA) (G^F)(d>c)|{c}B2 {B}(A>G) G2 D>D|
(G>A)(BG) e3e|(dG)(c>B) {B}A2zF|(Bd)(ce) (df) (a/g/f/e/)|(ed) T(c2{Bc}B2):|
</pre>
</pre>
<pre>
<pre>
X: 5
X: 5
%
T: Bonny Grey-Ey'd Morn
T: Bonny Grey-Ey'd Morn
R: reel
R: reel

Revision as of 02:00, 4 June 2017


Bonny Gray-Eyed Morn  Click on the tune title to see or modify Bonny Gray-Eyed Morn's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bonny Gray-Eyed Morn
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 Theme code Index    1132 3555
 Also known as    Bonny Grey-Eyed Morn Begins to Peep, Bonny Grey-Ey'd Morn, Jockey Rous'd with Love, Old Gray-Ey'd Morning (The), Tis Woman that Seduces all Mankind
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    B
 Accidental    2 flats
 Mode    Ionian (Major)
 Time signature    2/2, 4/4
 History    
 Structure    AB, AABB
 Editor/Compiler    Biography:John Gay
 Book/Manuscript title    Book:The Beggar's Opera
 Tune and/or Page number    
 Year of publication/Date of MS    1729
 Artist    Biography:Belshazzar's Feast
 Title of recording    Mr. Kynaston's Famous Dance
 Record label/Catalogue nr.    Wildgoose Records
 Year recorded    2000
 Media    
 Score   ()   


Tune annotations

X:1
%
T:Bonny Grey-Ey'd Morn
M:C
L:1/8
S:Beggar's Opera (1729)
K:Bb
F|BABc d2cB|defg f3g|fgfd edcB|ABcd c3d|
edcB A2A|BAGF =E3C|FAGB Acdc|BAGF F3:|
|:c|cAcA F3f|fdfd B3d|eGcA ^F3d|cBAG G3D|
FABG e3d|dGcB A3F|Bdce dfgf|edcB B3:||

X:1
%
T:Bonny Grey-Eyed Morn, The
M:C|
L:1/8
N:”Longways for as many as will.”
B:John Walsh – Complete Country Dancing-Master, Volume the Fourth
B: (London, 1740, No. 167)
Z:AK/Fiddler’s Companion
K:Bb
F|(BA) (Bc)  d2(cB)|(de) f2 f3g|(fg) (fd) (ed) (cB)|(AB) (cd) c3d|
(ed) (cB) A3A|(BA) (GF) ^E3C|(FA) (GB) (Ac) (dc)|(BA) (GF) F3||
c|(cA) (cA) F3f|(fd) (fd) B3d|(eG) (cA) ^F3d|(cB) (AG) G3d|
(GA) (BG) e3d|(dG) (cB) A3F|(Bd) (ce) (df) (gf)|(ed) (cB) B3||

X:1
%
T:Bonny gray eye’d morn, The
M:C
L:1/8
R:Country Dance
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 
B:(Glasgow, 1797, No. 27, p. 11)
Z:AK/Fiddler’s Companion
K:D
A|dcde {de}f2 ed|fgab a3b|a>baf gfed|cdef e3f|
gfed c3c|dcBA G3E|AcBd cefd|dcB>A A3||
e|ecec A3a|afaf d3f|gBec B2- ^Af|edcB B2 zF|
BcdB g3f|fBed c3A|dfeg faba|gfe>d d3||

X:1
%
T:Bonny Grey Eyed Morn, The
M:C
L:1/8
R:Air
Q:"Slow"
B:Davie's Caledonian Repository (Aberdeen, 1829-30, p. 22)
Z:AK/Fiddler’s Companion
K:Bb
F|(B>A)(Bc) {Bc}d2 (cB)|(d>e)(f>g) f3g|(f>g)(f>d) (ed)(cB)|(A<B)(c>d) c3d|
(e>d)(cB) {B}A2 G>A|(BA)(GF) {F}=E2zC|(FA)(GB) (Ac)(Bd)|(BA)(G>F) F3:|
|:A|(c<A)(c<A) F3d|(f<d)(d<d) B3d|(eB)(cA) (G^F)(d>c)|{c}B2 {B}(A>G) G2 D>D|
(G>A)(BG) e3e|(dG)(c>B) {B}A2zF|(Bd)(ce) (df) (a/g/f/e/)|(ed) T(c2{Bc}B2):|

X: 5
%
T: Bonny Grey-Ey'd Morn
R: reel
M: C|
L: 1/8
Z: 2011 John Chambers <jc:trillian.mit.edu>
B: Andrew Shaw "Mr Kynaston's Famous Dance" p.5
N: Longways for as many as will
P: Play AABB
K: Bb
%
"A"[|] F |\
"Bb"(BA)(Bc) d2(cB) | (de)f2 f3g | (fg)(fd) "Cm"(ed)(cB) | "F"(AB)(cd) c3d |
"Cm"(ed)(cB) "F"A3A | "Gm"(BA)(GF) "C"=E3C | "F"(FA)"C"(GB) "F"(Ac)"Bb"(dc) "C"(BA)(GF) "F"F3 :|
"B"|: c |\
"F"(cA)(cA) F3f | "Bb"(fd)(fd) "Gm"B3d | "Cm"(eG)(cA) "D"^F3d | "D"(cB)(AG) "Gm"G3D |
"F"(FA)"Gm"(BG) "Cm"e3d | "Gm"(dG)(cB) "F"A3F | "Bb"(Bd)"F"(ce) "Gb"(df)"Eb"(gf) | "F"(ed)(cB) "Bb"B3 :|

Tune annotations

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