White Cockade (1) (The): Difference between revisions
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AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| | AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| | ||
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | ||
</pre> | |||
<pre> | |||
X:1 | |||
T:White Cockade [1], The | |||
M:C| | |||
L:1/8 | |||
Q:"Spiritoso" | |||
R:Country Dance | |||
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA| | |||
.B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2|| | |||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| | |||
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2|| | |||
</pre> | |||
<pre> | <pre> | ||
X:1 | X:1 | ||
% | % | ||
T:White Cockade, The | T:White Cockade [1], The | ||
M:2/4 | M:2/4 | ||
L:1/8 | L:1/8 |
Revision as of 11:57, 7 June 2017
Tune annotations
X:1 % T:White Cockade [1] M:C| L:1/8 R:March S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91) Z:AK/Fiddler’s Companion K:G GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA| B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:| |:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||
X:1 % T:Second to the White Cockcade S:Thomas Calvert Collection, Kelso, Scotland (1799) Z:Jack Campin May 2001 M:C L:1/8 N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book K:G BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc| G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|| GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA| G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]
X:1 % T:White Cockade [1] M:C L:1/8 Q:"Allegretto" B:Wilson - Companion to the Ball Room (1816, p. 39) Z:AK/Fiddler's Companion K:G G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:| |:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]
X:1 % T:White Cockade [1] (Scotch) M:C L:1/8 Q:"Allegretto" R:Country Dance B:Thomas Wilson - Companion to the Ball Room (1816, p. 54) Z:AK/Fiddler's Companion K:G GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA| B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2|| AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||
X:1 T:White Cockade [1], The M:C| L:1/8 Q:"Spiritoso" R:Country Dance B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9) Z:AK/Fiddler’s Companion K:G GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA| .B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2|| Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| .B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||
X:1 % T:White Cockade [1], The M:2/4 L:1/8 R:Pipe March B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99) Z:AK/Fiddler's Companion K:G e|G>B BA/B/|G>B B/<B/g|G>B BA/G/|BA AG/A/| B/<B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|d>B B<B:| |:c|d>B g>B|d/e/d/B/ d>e|ed/B/ gf/g/|a>A A/G/A/B/| B/B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|dB B<B:|]
X:3 % T:White Cockade, The L:1/8 M:C| R:Country Dance B:Stewart-Robertson – The Athole Collection (1884) Z:AK/Fiddler’s Companion K:G GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA| B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:| |:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA| B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]
X:1 % T:White Cockade [1] M:2/4 L:1/8 R:Air and Reel N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon. N:The key signature in the MS is (inexplicably) E Major. Z:AK/Fiddler’s Companion K:G G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:| |:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]