Rory O'More: Difference between revisions

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|f_rhythm=Jig/Quadrille
|f_rhythm=Jig/Quadrille
|f_time_signature=6/8
|f_time_signature=6/8
|f_structure=AB
|f_key=A
|f_accidental=3 sharps
|f_mode=Ionian (Major)
|f_structure=AB, AAB, AABB, AABB', AA'BB', AABB'BB'
|f_book_title=Complete Preceptor for the Accordeon
|f_collector=Elias Howe
|f_year=1843
|f_page=p. 35
|f_theme_code_index=5251 537L2
|f_theme_code_index=5251 537L2
}}
}}

Revision as of 05:22, 4 August 2017


Rory O'More  Click on the tune title to see or modify Rory O'More's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Rory O'More
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 Theme code Index    5251 537L2
 Also known as    Ruaidri Ua Morda, Ruadhraí Ó Mórdha, Good Omens, I'll Follow You My Dear, King of Leix (The), March of the King of Laois, Rory of the Hills
 Composer/Core Source    Biography:Samuel Lover
 Region    England, Ireland, Scotland
 Genre/Style    English, Irish, Scottish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AB, AAB, AABB, AABB', AA'BB', AABB'BB'
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Complete Preceptor for the Accordeon
 Tune and/or Page number    p. 35
 Year of publication/Date of MS    1843
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



X:1 T:Rory O’More T:Good Omens M:6/8 L:1/8 Q:"Allegretto" R:Jig B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 273, p. 136) Z:AK/Fiddler’s Companion K:G e|dGG {B}AGG|dGG (Gge)|(d>cB) (B>AG)|FAA A2 (B/c/)| dGG {B}AGG|DGG !fermata!e2 (d/c/)|(B>cd) def|gGG [B,2G2]|| g|(g>fe) eBB|{d}(cBA) G2F|(E>FG) (GAB)|(Bed) d2 (e/f/)| (g>fe) eBB|{d}(cBA) G2F|(E>FG) (GAB)|(Bed) !fermata![F2d2]!D.C.!||


X:1 T:Rory O’Moore, King of Leix’s March M:6/8 L:1/8 Q:"Allegro" R:March B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 64, p. 27) Z:AK/Fiddler’s Companion K:D {AB}A2F {AB}A2D|{AB}A2F A2D|{B=c}B2G {AB}A2F|{GA}G2F E2D| {AB}A2F {AB}A2D|{AB}A2F {AB}A2D|{Bc}B2e (Ad).G|FdF E2D| {FG}F2D {GA}G2E|A3 (AGF)|(E<=c).G E=CE|(G<=c).G E=CE| (D>ED) (D>ED)|(D>ED) (D>ED)||{B=c}B2G {B}d2G|{B=c}B2G {B}d2G| {AB}A2d {AB}A2F|{AB}A2d {AB}A2F|{B=c}B2d {A}d2A|G>=c.G E2=C|{FG}F2D {GA}G2E| A3 (AGF)|(E<=cG) E=CE|(G<=cG) E=CE|(D>ED) (D>ED)|(D>ED) (D>ED)||


X:1 T:Rory O’More M:6/8 L:1/8 R:Country Dance B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 37) Z:AK/Fiddler’s Companion K:A a|eAA cAA|eAA Aaf|eAA cAA|GBB (B2a)| eAA cAA|eAA f2 e/d/|cde efg|aAA (A2:| |:e)|agf fcc|dcB (A2G)|FGA ABc|cfe e2 f/g/| agf fcc|dcB (A2G)|FGA ABc|1 cfe e2:|2 cff f2||


X:1 T:Rory O’More L:1/8 M:6/8 R:Country Dance B:Stewart-Robertson – The Athole Collection (1884) Z:AK/Fiddler’s Companion K:A f|eAA cAA|eAA Aaf|edc cBA|GBB B2f| eAA cAA|eAA f2e/d/|cde efg|aAA A2:| |:a|agf fcc|dcB A2G|FGA ABc|cfe e2a| agf fcc|dcB A2 A/G/|FGA ABc|cfe e2:|


X:2 T:Rory O’More L:1/8 M:6/8 K:A eAA cAA|eAA F3|edc cBA|GBB Bcd| ecA cBA|ece fed|cde efg|a2A A3:| |:agf fcc|dcB A2G|FGA ABc|Bee efg| agf f2c|dcB A2G|FGA ABc|Bee e2f:|


X:3 T:Rory O' More D:Jimmy Shand 78: Beltona BL 2229 (1935) Z:Nigel Gatherer M:6/8 L:1/8 K:A f|eAA cBA|eAA A2 f|edc cBA|GBB B2 f| eAA cBA|ede fed|cee efg|aAA A2:| |:e|agf edc|dcB A2 G|F2 G A2 B|cee efg| agf edc|dcB A2 G|F2 G A2 B|cee e2:|]