Nonesuch (3): Difference between revisions
No edit summary |
No edit summary |
||
Line 20: | Line 20: | ||
<pre> | <pre> | ||
X: 1 | X: 1 | ||
% | |||
T:None Such [3]. (p)1698.PLFD1.380 | T:None Such [3]. (p)1698.PLFD1.380 | ||
M:6/4 | M:6/4 | ||
Line 36: | Line 37: | ||
<pre> | <pre> | ||
X:1 | X:1 | ||
% | |||
T:Nonesuch [3] | T:Nonesuch [3] | ||
M:6/8 | M:6/8 | ||
Line 49: | Line 51: | ||
<pre> | <pre> | ||
X: 1 | X: 1 | ||
% | |||
T: None such | T: None such | ||
P: Longways for as many as will | P: Longways for as many as will |
Revision as of 23:32, 21 August 2017
Tune annotations
X: 1 % T:None Such [3]. (p)1698.PLFD1.380 M:6/4 L:1/4 Q:3/4=80 S:Playford, Dancing Master,9th Ed,2nd Supp.,1698. O:England;London H:1698. Z:Chris Partington <www.cpartington.plus> K:F f|f2cA2B|c3F2c|f>gfg>ab|a3f2a| c'a2bg2|af2ge2|decc2=B|c3-c2:| |:c|(dB)B(Bc)d|c2BA2A|(Bc)d(de)d|g2fe2g| (ab)d(eg)c|(df)AG2B|(AF)ff2e|f3-f2:|
X:1 % T:Nonesuch [3] M:6/8 L:1/8 R:Jig S:Playford - Dancing Master (1698) K:F f|f2c A2B|c3 F2c|f>gf g>ab|a3 f2c'| c'a2 bg2|af2 ge2|dec c2=B|(c3 c2):| |:c|dBB Bcd|c2B A2A|Bcd d_ed|g2f e2g| abd egc|dfA G2B|AFf f2e|(f3 f2):|]
X: 1 % T: None such P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.223 "U 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ f2c A2B | c3 F2c | f>gf g>ab | a3 f2a | c'a2 bg2 | af2 ge2 | dec c2=B | c3- c2 |] c |\ (dB)B (Bc)d | c2B A2A | (Bc)d (d_e)d | g2f e2g | (ab)d (eg)c | (df)A G2B | (AF)f f2e | f3- f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four hands half round and fall back, the 1. man being in the 2. wo. place, cross over with the %% wo. into the 1. man's place .| All four hands half round again, and the 1. wo. change places with the 2. %% man :| %% The 1. man being in the 2. wo. place, go back to back with the 2. wo. into the 1. man's place, the %% other two do the like .| The 1. cu. being in the 2. cu. place, go the half Figure above till they come %% into the 2. cu. place, the other do the like at the same time :| %% [DMDfD] %%endtext %%sep 1 8 500