Revision as of 19:28, 15 September 2017

O dear! what can the matter be Click on the tune title to see or modify O dear! what can the matter be's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:O dear! what can the matter be Query the Archive
Theme code Index	5555 4444
Also known as	Oc on cad e do tarlad, Johnny's So Long at the Fair (1)
Composer/Core Source
Region	Canada, England, Ireland, Scotland, United States
Genre/Style	Contra, English, Irish, Morris, Scottish, Stage
Meter/Rhythm	Air/Lament/Listening Piece, Jig/Quadrille, March/Marche
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	6/8
History	USA(New England), CANADA(Maritimes/English)
Structure	AB, AABB, AA'BB, AA'BB', AABBCCDDEE'
Editor/Compiler	Biography:James Aird
Book/Manuscript title	Book:Selection of Scotch English Irish and Foreign Airs vol. 4
Tune and/or Page number	No. 15, p. 6
Year of publication/Date of MS	1796
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Tune annotations

X:1
%
T:O dear what can the matter be
M:G
L:1/8
R:Air 
Q:"Slow"
B:Aird - Selection of Scotch, English, Irish and Foreign Airs,
B:vol. 4 (1796, No. 15, p. 6)
Z:AK/Fiddler's Companion
K:G
d3 d3|dBg dBG|c3 c3|cAB cBA|
d3 d3|dBg dBG|EGc BcA|1G3 z3:|2G3 z2||
|:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|EGc BcA|G3 z2:|]

X:1
%
T:Oh Dear what can the matter be
M:6/8
L:1/8
S:Thomas Sands' MS, TS. 003, 1810, Lincolnshire
R:glee
O:Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
d3d3|dBg dBG|c3c3|cAB cBA|!
d3d3|dBg dBG|EAc BcA|G3G3:|!
|:dBc dBc|dBg dBG|cAB cAB|cAB cBA|!
dBc dBc|dBg dBG|EAc BcA|G3G3:|]

X: 1
%
T:O Dear, What Can The Matter Be
R:jig
S:Rev. R. Harrison's MS, RH. 487, c 1815, Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
K:Bb
c3c3|cAf cAF|B3B3|BGA BAG|
c3c3|cAf cAF|DFB A>BG|1F3 F3:|2F3 F2:|!
|:F|cAB cAB|cAf cAF|BGA BGA|BGA BAG|
cAB cAB|cAf cAF|DFB A>BG|F3 F2:|]

X: 1
%
T:What Can The Matter Be 
T:Oh,Dear, What Can The...
M:6/8
L:1/8
S:James Winder Ms, JaW. 293, Lancashire, 1835-41
R:.Air
O:England
A:Wyresdale, Lancashire
N:Johnny Stops Long At The Fair.
Z:vmp.Chris Partington, Aug 2004
K:C
d3d3|dBg dBG|c3c3|cAB cBA|!
d3d3|dBg dcB|Eed cBA|G3G3:|!
|:d|dBc dBc|dBg dBG|cAB cAB|\
"not clear from here"cBA GFE|!
dBc dBc|dBd dBG|Eed cBA|G3zz2:|

X:1
%
T:What can the matter be
M:6/8
L:1/8
R:Air
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 152)
Z:AK/Fiddler’s Companion
K:G
d3d3|dBg dBG|c3 c3|cAB cBA|
d3 d3|dBg dBG|DGc BcA|G3 G3:|
|:dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|DGc BAF|G3 G3:|]

X: 1
%
T:Oh Dear What Can The Matter Be? (2 voices) 
M:6/8
L:1/8
S:A.J.Hughes MS, AJH. 006
O:England
A:North Shropshire
Z:Neil Brookes 2006
V:1 clef=treble
V:2 clef=bass
%%staves {1 2}
K:G
[V:1] |: "_rest added"z|d3 d3 | dBg dBG | c3 c3 | cAB cBA |
[V:2] |: z|G,B,G, F,D,F, | G,3 G,2F, | E,G,C C,E,G, | D,3 D,3 |
%
[V:1] d3 d3 | dBg dBG | EGc BcA | G3 z2 :|
[V:2] G,B,G, F,D,F, | G,3 G,3 | C,3 D,3 | G,D,B,, G,,2 :|
%
[V:1] |: d | dBc dBc | dBg dBG | cAB cAB | cAB cBA |
[V:2] |: z | G,3 G,3 | G,3 G,3 | D,3 D,3 | D,3 D,3 |
%
[V:1] dBc dBc | dBg dBG | EGc BcA | G3"_dotted in MS" G2 :|
[V:2] G,3 G,3 | G,3 G,3 | B,,3 D,3 | G,D,B,, G,,2 :|

X:1
%
T:What can the matter be? 
M:6/8
L:1/8
S:Anonymous 1862 American music manuscript collection (p. 3)
N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up
Z:AK/Fiddler’s Companion
K:G
d2z d2z|dBg dBG|c2c c2c|cAB cBA|
d2z d2z|dBg dBG|EGc BcA|G3 z2:|
|:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|EGc BcA|G3z2:|]

X:1
%
T:Oh Dear What Can The Matter Be
R:air
S:John Clare, Poet, JC. 012, Helpston (1793-1864)
N:Modern practice would have the dotted minims as two dotted crotchets
N:slurred, to ease readability. CGP.
N:Song text exists. See Deacon.
O:England
A:Northamptonshire
Z:vmp.P. Headford
M:6/8
L:1/8
K:D
e3e3|\
eca ecA|d6|dBc dcB|!
e6|eca ecA|FAd cdB|A3z2:|!
|:e|ecd ecd|eca ecA|dBc dBc|dBc dcB|!
ecd ecd|eca ecA|FAd cdB|A6:|

X:1
%
T:O Dear what can the matter be? - Variations
M:6/8
L:1/8
B:Köhler’s Violin Repository vol. 3Bc (1885, p. 266)
Z:AK/Fiddler’s Companion
K:G
"Allegretto"d3d3|dBg dBG|c3c3|cAB cBA|d3d3|dBg dBG|
EAc BcA|1(G3 G3):|2(G3 G2)||:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|EAc BcA|(G3G2)::z|(d/g/)b/a/g/f/ (e/d/)g/f/e/d/|
(c/B/)e/d/c/B/ (A/G/)c/B/A/G/|F/a/c'/a/g/ f/e/a/g/f/e/|(d/c/)f/e/d/c/ (B/A/)d/c/B/A/|
G/b/d'/c'/b/a/ g/f/b/a/g/f/|(e/d/)g/f/e/d/ (c/B/)e/d/c/B/|(A/G/)c/B/A/G/ (F/A/)d/c/B/A/|(G3G2):|
|:d|d/c/B/c/d/e/ e/c/B/c/d/e/|(e/g/)b/a/g/f/ (e/d/)c/B/A/G/|c/B/A/B/c/d/ c/B/A/B/c/d/|
c/a/c'/b/a/g/ f/e/d/c/B/A/B/A/|B/A/B/G/A/B/ c/B/c/A/B/c/|d/b/d'/c'/b/a/ g/f/e/d/c/B/|
(A/c/)e/c/A/G/ (F/A/)d/c/B/A/|(G3G2):||:(3D/E/F/|GDB GdB|gdb gdBB|
cAF AFC|FED EDA,|B,G,D B,GD|BGd BGD|(EAc) (BcA)|(G3G2):|
|:d|{e}d^cd {E}D^CD|gfg {E}D^CD|{e}cBc {E}D^CD|a^ga {E}D^CD|
(d^cd) (GFG)|(gfg) (E^DE)|(G^GA) (A=GF)|(G3 G2):|
|:z|d(G/B/)d/g/ d(B/d/)g/b/|g(d/g/)b/d'/ b(g/a/)b/g/|c'(c'/a/)f/d/ c(a/f/)d/c/|
A(c/A/)F/D/ C(A/F/)D/C/|B,(G,/B,/)D/G/ D(B,/D/)G/B/|G(D/G/)B/d/ B(G/B/)d/g/|
E(E/A/)c/e/ d(D/F/)A/F/|(G3G2)::(G/A/B/c/)|d(d/c/B/A/) G(B/A/G/F/)
E(G/F/E/D/) C(A/B/c/d/)|e(e/d/c/B/) A(c/B/A/G/)|F(A/G/F/E/) D(D/E/F/D/)|
G(G/F/G/A/) B(B/A/B/c/)|d(d/e/f/d/) g(g/f/e/d/)|c(e/d/c/B/) A(d/c/B/A/)|(G3G2):|]

X:2
%
T:Oh, Dear, What Can the Matter Be?
M:6/8
L:1/8
R:Air
S:O'Neill - Music of Ireland No. 620 (1903)
Z:AK/Fiddler's Companion
K:G
d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|DGc BcA|G3 z2||
B|d3d3|dBg dBG|c3 ccc|cAB cBA|
d3 ddd|dBg dBG|DGc BcA|G3 z2||

Tune annotations