White Cockade (1) (The)

Tune annotations

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X:1
%
T:White Cockade [1]
M:C|
L:1/8
R:March
S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91)
Z:AK/Fiddler’s Companion
K:G
GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA|
B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:|
|:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4|
g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||

X:1
%
T:Second to the White Cockcade
S:Thomas Calvert Collection, Kelso, Scotland (1799)
Z:Jack Campin May 2001
M:C
L:1/8
N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book
K:G
BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2||
GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]

X:1
%
T:White Cockade [1]
M:C
L:1/8
Q:"Allegretto"
B:Wilson - Companion to the Ball Room (1816, p. 39)
Z:AK/Fiddler's Companion
K:G
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]

X:1
%
T:White Cockade [1]  (Scotch)
M:C
L:1/8
Q:"Allegretto"
R:Country Dance
B:Thomas Wilson - Companion to the Ball Room (1816, p. 54)
Z:AK/Fiddler's Companion
K:G
GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA|
B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2||
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA|
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||

X:1
%
T:White Cockade
M:2/4
L:1/8
R:Country Dance Tune
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
Z:AK/Fiddler’s Companion
K:G
gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/|
B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:|
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA  G/A/|
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]

X:1
%
T:White Cockade, The
M:2/4
L:1/8
Q:"Allegro Spiritoso"
R:Country Dance
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 199, p. 104)
Z:AK/Fiddler’s Companion
K:G
(G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B ||
(B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)|
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||

X:1
T:White Cockade [1], The
M:C|
L:1/8
Q:"Spiritoso"
R:Country Dance
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9)
Z:AK/Fiddler’s Companion
K:G
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA|
.B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)|
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||

X:1
%
T:White Cockade [1], The 
M:2/4
L:1/8
R:Pipe March
B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99)
Z:AK/Fiddler's Companion
K:G
e|G>B BA/B/|G>B B/<B/g|G>B BA/G/|BA AG/A/|
B/<B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|d>B B<B:|
|:c|d>B g>B|d/e/d/B/ d>e|ed/B/ gf/g/|a>A A/G/A/B/|
B/B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|dB B<B:|]

X:3
%
T:White Cockade, The
L:1/8
M:C|
R:Country Dance
B:Stewart-Robertson – The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:G
GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA|
B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|] 

X:1
%
T:White Cockade [1]
M:2/4
L:1/8
R:Air and Reel
N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland 
N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon.
N:The key signature in the MS is (inexplicably) E Major.
Z:AK/Fiddler’s Companion
K:G
G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]

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