Annotation:Roaring Mary: Difference between revisions
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See also listings at:<br> | See also listings at:<br> | ||
Alan Snyder’s Cape Breton Fiddle Recording Index []<br> | Alan Snyder’s Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t1308.html]<br> | ||
Jane Keefer’s Folk Music Index: An Index to Recorded Sources []<br> | Jane Keefer’s Folk Music Index: An Index to Recorded Sources []<br> | ||
Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/1686/]<br> | Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/1686/]<br> |
Revision as of 04:21, 15 October 2017
ROARING MARY (Máire Bhéiceach). AKA and see “Foxie Mary.” Irish, Reel. D Major (Flaherty, Harker/Rafferty, Kennedy, Mallinson, Miller, Mulvihill): D Mixolydian (Breathnach). Standard tuning (fiddle). AB (Flaherty): AABB (Breathnach, Harker/Rafferty, Kennedy, Mallinson, Mulvihill). The tune is often associated with accordion player Joe Cooley, who typically played it last in a set of three tunes along with "Humors of Tulla (The)" and "Skylark (1) (The).” The medley (sometimes just “The Skylark” followed by “Roaring Mary”) is still a popular combination at sessions. Martin O’Connor is said to have mentioned that Roaring Mary was one of Joe Cooley’s students. The name, however, is very close to “Foxie Mary,” by which title the tune appears under in Ryan’s Mammoth Collection, 1883 (p. 30). Sligo fiddler Paddy Killoran recorded the tune in New York in the 78 RPM era, again under the title “Roaring Mary,” predating by a generation Cooley and his student. “Foxie Mary” is given as an alternate title by Peter Kennedy, taken perhaps from a source familiar with Ryan’s Mammoth Collection.