Annotation:Roaring Mary: Difference between revisions
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'''ROARING MARY''' (Máire Bhéiceach). AKA and see “[[Foxie Mary]].” Irish, Reel. D Major (Flaherty, Harker/Rafferty, Kennedy, Mallinson, Miller, Mulvihill): D Mixolydian (Breathnach). Standard tuning (fiddle). AB (Flaherty): AABB (Breathnach, Harker/Rafferty, Kennedy, Mallinson, Mulvihill). The tune is often associated with accordion player Joe Cooley, who typically played it last in a set of three tunes along with "[[Humors of Tulla (The)]]" and "[[Skylark (1) (The)]].” The medley (sometimes just “The Skylark” followed by “Roaring Mary”) is still a popular combination at sessions. Martin O’Connor is said to have mentioned that Roaring Mary was one of Joe Cooley’s students. The name, however, is very close to “[[Foxie Mary]],” by which title the tune appears under in '''Ryan’s Mammoth Collection''', 1883 (p. 30). Sligo fiddler Paddy Killoran recorded the tune in New York in the 78 RPM era, again under the title “Roaring Mary,” predating by a generation Cooley and his student. “Foxie Mary” is given as an alternate title by Peter Kennedy, taken perhaps from a source familiar with '''Ryan’s Mammoth Collection'''. | '''ROARING MARY''' (Máire Bhéiceach). AKA and see “[[Foxie Mary]].” Irish, Reel. D Major (Flaherty, Harker/Rafferty, Kennedy, Mallinson, Miller, Mulvihill): D Mixolydian (Breathnach). Standard tuning (fiddle). AB (Flaherty): AABB (Breathnach, Harker/Rafferty, Kennedy, Mallinson, Mulvihill). The tune is often associated with accordion player Joe Cooley, who typically played it last in a set of three tunes along with "[[Humors of Tulla (The)]]" and "[[Skylark (1) (The)]].” The medley (sometimes just “The Skylark” followed by “Roaring Mary”) is still a popular combination at sessions. Martin O’Connor is said to have mentioned that Roaring Mary was one of Joe Cooley’s students. The name, however, is very close to “[[Foxie Mary]],” by which title the tune appears under in '''Ryan’s Mammoth Collection''', 1883 (p. 30). Sligo fiddler Paddy Killoran recorded the tune in New York in the 78 RPM era, again under the title “Roaring Mary,” predating by a generation Cooley and his student. “Foxie Mary” is given as an alternate title by Peter Kennedy, taken perhaps from a source familiar with '''Ryan’s Mammoth Collection'''. [[File:killoran.jpg|400px|thumb|right|Paddy Killoran]] | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Decca 12090A (78 RPM), Paddy Killoran (1936). Gael-Linn CEFCD 044, Joe Cooley - "Cooley" (1963). Shanachie 33003, "Paddy Killoran's Back in Town" (1977). Topic Records TSCD604, Moate Ceilidhe Band - "Past Masters of Irish Dance Music" (2000. Various artists). Paddy Killoran - "From Ballymote to Brooklyn". </font> | ||
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See also listings at:<br> | See also listings at:<br> | ||
Alan Snyder’s Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t1308.html]<br> | Alan Snyder’s Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t1308.html]<br> | ||
Jane Keefer’s Folk Music Index: An Index to Recorded Sources []<br> | Jane Keefer’s Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/r07.htm#Roama]<br> | ||
Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/1686/]<br> | Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/1686/]<br> | ||
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Revision as of 04:30, 15 October 2017
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