Annotation:Ronfleuse Gobeil: Difference between revisions
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'''RONFLEUSE GOBEIL, LA.''' AKA and see "[[Snoring Mrs. Gobeil]]," "[[Snoring Gobeil]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Miller & Perron): AABBCC {40 bar reel} (Bégin, Carlin, Hinds). The 'A' and 'B' parts are French-Canadian, the 'C' part is the 'B' part of "[[Judy's Reel]]" (AKA - "[[Maid Behind the Bar (1) (The)]]"), printed in '''Ryan’s Mammoth Collection/Cole's 1000'''. Hart & Sandell (2001) note the tune was first recorded in 1927 on 78 RPM by fiddler Willie Ringuette (1898-1969) of Trois-Rivières, one of the great Montréal fiddler Jean Carignan’s teachers. According to the authors, Ringuette composed two parts of the tune, then added the second strain of the Irish reel “Maid Behind the Bar” (AKA "Judy's Reel") as a third part. Jean Carignan further modified the first part, but kept Ringuette’s second part and the adopted (“Maid Behind the Bar”) third part. It was Carignon who first popularized the melody, followed by la Bottine Souriante on their 1978 album “Ya bend u changement.” | '''RONFLEUSE GOBEIL, LA.''' AKA and see "[[Reel St-Siméon]]," "[[Snoring Mrs. Gobeil]]," "[[Snoring Gobeil]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Miller & Perron): AABBCC {40 bar reel} (Bégin, Carlin, Hinds). The 'A' and 'B' parts are French-Canadian, the 'C' part is the 'B' part of "[[Judy's Reel]]" (AKA - "[[Maid Behind the Bar (1) (The)]]"), printed in '''Ryan’s Mammoth Collection/Cole's 1000'''. Hart & Sandell (2001) note the tune was first recorded in 1927 on 78 RPM by fiddler Willie Ringuette (1898-1969) of Trois-Rivières, one of the great Montréal fiddler Jean Carignan’s teachers. According to the authors, Ringuette composed two parts of the tune, then added the second strain of the Irish reel “Maid Behind the Bar” (AKA "Judy's Reel") as a third part. Jean Carignan further modified the first part, but kept Ringuette’s second part and the adopted (“Maid Behind the Bar”) third part. It was Carignon who first popularized the melody, followed by la Bottine Souriante on their 1978 album “Ya bend u changement.” | ||
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Revision as of 16:00, 14 January 2018
X:1 T:Ronfleuse Gobeil M:C| L:1/8 R:Reel K:D a2fd Adfa|gece fddf|a2fd Adfa|gece d4:| ||A2f2 fef2|B2g2gfg2|A2c2 efec|dcde (3fga fd| A2f2 fef2|B2g2gfg2|A3c efec|d2e2f4|| |:faab afde|fdad bdfd|efga bgef|gebe geeg| fgaf bfaf|defd efde|fBBA BcdB|AFEF D4:|
RONFLEUSE GOBEIL, LA. AKA and see "Reel St-Siméon," "Snoring Mrs. Gobeil," "Snoring Gobeil." French-Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Miller & Perron): AABBCC {40 bar reel} (Bégin, Carlin, Hinds). The 'A' and 'B' parts are French-Canadian, the 'C' part is the 'B' part of "Judy's Reel" (AKA - "Maid Behind the Bar (1) (The)"), printed in Ryan’s Mammoth Collection/Cole's 1000. Hart & Sandell (2001) note the tune was first recorded in 1927 on 78 RPM by fiddler Willie Ringuette (1898-1969) of Trois-Rivières, one of the great Montréal fiddler Jean Carignan’s teachers. According to the authors, Ringuette composed two parts of the tune, then added the second strain of the Irish reel “Maid Behind the Bar” (AKA "Judy's Reel") as a third part. Jean Carignan further modified the first part, but kept Ringuette’s second part and the adopted (“Maid Behind the Bar”) third part. It was Carignon who first popularized the melody, followed by la Bottine Souriante on their 1978 album “Ya bend u changement.”