Annotation:Rose in the Heather (The): Difference between revisions
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Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/1704/]<br> | Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/1704/]<br> | ||
Hear Morrison & Conlon's 1929 recording at ITMA [https://www.itma.ie/digital-library/sound/cid-230594], the Comhaltas Archive [https://archive.comhaltas.ie/search?q=composition_id%3A529]<br> | Hear Morrison & Conlon's 1929 recording at ITMA [https://www.itma.ie/digital-library/sound/cid-230594], the Comhaltas Archive [https://archive.comhaltas.ie/search?q=composition_id%3A529]<br> | ||
Hear a 1955 recording by fiddler Vincent Harrison (1929-2009), flutist Martin Feeney and piper Andy Conroy at the Internet Archive [https://archive.org/details/UnknownPlayersPipesFiddleTheLarkintheMorningTheRoseintheHeather] (following "[[Lark in the Morning ( | Hear a 1955 recording by fiddler Vincent Harrison (1929-2009), flutist Martin Feeney and piper Andy Conroy at the Internet Archive [https://archive.org/details/UnknownPlayersPipesFiddleTheLarkintheMorningTheRoseintheHeather] [https://ia800209.us.archive.org/15/items/UnknownPlayersPipesFiddleTheLarkintheMorningTheRoseintheHeather/Unknown_Players__Pipes_Fiddle__The_Lark_in_the_Morning_The_Rose_in_the_Heather.mp3] (following "[[Lark in the Morning (1)]]"<br>, | ||
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Revision as of 22:28, 17 January 2018
X:1 % T:Rose in the Heather, The B:Jerry O'Brien's Accordion Instructor (1949, No. 48) M:6/8 L:1/8 R:Jig Z:AK/Fiddler's Companion K:D E|OFAF EFE|DFA BAF|Adf ede|fdB AFE| FAF EFE|DFA AFA|BdB AFE|FDD D2:| |:e|fdB ABd|faa afd|gag fed|Bee efg| fdB ABd|faa afd|bag afe|1 fdd d2:|2 fdB AFE!D.S.!||
ROSE IN THE HEATHER (An Rós sa bhFraoch). AKA and see "Corofin (The)," “Rós sa bhfraoch (An),” "Rose among the Heather (2) (The). Irish, Double Jig (6/8 time). D Major. Standard tuning (fiddle). AABB (Breathnach, Cranitch, DeMarco & Krassen, Mallinson, Miller & Perron, Taylor): AABB’(Mulvihill): AA’BB’ (Harker/Rafferty, Moylan, O’Malley, Tubridy). A popular session jig, particularly in the 20th century. It was first recorded under this title in New York in 1929 by melodeon player Peter J. Conlon and fiddler James Morrison (who paired the tune with "Old Man Dillon").