Jackson's Morning Brush: Difference between revisions

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Line 76: Line 76:
L:1/8
L:1/8
R:Jig
R:Jig
Q:"Allegro"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 26, p. 11)
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 26, p. 11)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:D
K:D
"Allegro"D|DFE EFD|DFA AFA|BAB de[df]|[ge][ce][ce] [c2e2]D|
D|DFE EFD|DFA AFA|BAB de[df]|[ge][ce][ce] [c2e2]D|
DFE EFD|DFA AFA|BAB d2[Ae]|[df][Fd][Fd] [F2d2]||
DFE EFD|DFA AFA|BAB d2[Ae]|[df][Fd][Fd] [F2d2]||
g|fed faf|ede fdB|AFA de[df]|[eg][ce][ce] [c2e2]g|
g|fed faf|ede fdB|AFA de[df]|[eg][ce][ce] [c2e2]g|
Line 98: Line 99:
N:dance classes. He introduced “Siege of Ennis” and “Walls  
N:dance classes. He introduced “Siege of Ennis” and “Walls  
N:of Limerick” ceili dances and wrote a treatise on dancing.   
N:of Limerick” ceili dances and wrote a treatise on dancing.   
N:Reidy's source, Daniel Kelleher, was variously said to have been
N:from Castleisland, Sliabh Luachra region, County Kerry, or from
N:the native-Irish speaking region of Achadh Bolg, Múscraigh, in
N:County Cork. Reg Hall (2017) also found a reference to Kelleher
N:as one of the soloists who accompanied step dancing exhibitions
N:at Gaelic League events in London between 1897 and 1901.  According
N:to Hall, Kelleher was a young fiddle player active within the
N:Gaelic League. His name is attached to thirteen tunes in Reidy’s collection.
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion

Revision as of 03:08, 5 February 2018


Jackson's Morning Brush  Click on the tune title to see or modify Jackson's Morning Brush's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Jackson's Morning Brush
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 Theme code Index    1215 61H4H2H
 Also known as    Sgaile Micseoin, Muisguilt Mhicseoin, Fairy Haunts, Jackson's Favourite (1), Morning Brush, My Mountain Home
 Composer/Core Source    Walker 'Piper' Jackson
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABBCC
 Editor/Compiler    Biography:Samuel Lee
 Book/Manuscript title    Book:Jackson's Celebrated Irish Tunes
 Tune and/or Page number    
 Year of publication/Date of MS    c. 1774
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations


X:1 
%
T:Jackson’s Morning Brush
M:6/8
L:1/8
R:Jig
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 22,  p. 8)
Z:AK/Fiddler’s Companion
K:D
D|DFE EFD|DFA AFA|BAB d2e|fee e2f|
DFE EFD|DFA AFA|BAB d2e|fdd d2:|
|:g|fdf ece|dBd AFA|DFA d2e|fee e2g|
fdf ece|dBd AFA|DFA d2e|fdd d2:|]
X:2
%
T:Jackson's Morning Brush
M:6/8
L:1/8
R:Jig
S:Jackson's Celebrated Irish Tunes (Dublin, 1790)
Z:AK/Fiddler's Companion
K:D
D|DFE EFD|DFA AFA|BAB d2f|gee e2D|
DFE EFD|DFA AFA|BAB d2e|fdd d2:|
g|fed f/g/af|fda fdB|AFA dfa|gfg e2g|
fed f/g/af|g/a/bg f/g/af|fed e/f/ge|fdd d2:|
g|fdf ece|dBd AGF|EFG dfa|gfg e2g|
fdf edc|dB/c/d/B/ AFA|DFA d2e|fdd d2:||
X:1
%
T:Jackson’s Morning Brush
M:6/8
L:1/8
R:Jig
N:”Composed by Jackson about 1776”
B:Bunting – Ancient Music of Ireland (1840, No. 124, p. 95)
Z:AK/Fiddler’s Companion
K:D
D|(DFE) (EFD)|(DFA) (AFA)|(BAB) (def)|(gee) (.e2.D)|
(DFE) (EFD)|(DFA) (AFA)|(BAB) (.d2.e)|(fdd) .d2||
g|(fed) (fag)|(fda) (fdB)|(AFA) (def)|(gee) (.e2.g)|
(fed) (fag)|(fda) (fdB)|(AFA) (.d2.e)|(fdd) .d2||
.g|(fdf) (ece)|(dBd) (AFA)|(DFA) (def)|(gee) (.e2.g)|
(fdf) (ece)|(dBd) (AFA)|(DFA) (.d2.e)|(fdd) .d2||
X:1
%
T:Jackson’s Morning Brush
M:6/8
L:1/8
R:Jig
Q:"Allegro"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 26, p. 11)
Z:AK/Fiddler’s Companion
K:D
D|DFE EFD|DFA AFA|BAB de[df]|[ge][ce][ce] [c2e2]D|
DFE EFD|DFA AFA|BAB d2[Ae]|[df][Fd][Fd] [F2d2]||
g|fed faf|ede fdB|AFA de[df]|[eg][ce][ce] [c2e2]g|
fed faf|ede fdB|AFA d2e|[df][Fd][Fd] [F2d2]||
X:1
%
T:Jackson's Morning Brush
M:6/8
L:1/8
R:Jig
S:”By Daniel Kelleher, Clonough, Castle Island, Co. Kerry, Ireland”
N:”Very good for Country Dance. To be played slow for step-dancing. P.D. N:Reidy”
S:P.D. Reidy music manuscript collection, London, 1890’s (No. 3)
N:”Professor” Patrick Reidy of Castleisland was a dancing 
N:master engaged by the Gaelic League in London to teach 
N:dance classes. He introduced “Siege of Ennis” and “Walls 
N:of Limerick” ceili dances and wrote a treatise on dancing.  
N:Reidy's source, Daniel Kelleher, was variously said to have been 
N:from Castleisland, Sliabh Luachra region, County Kerry, or from 
N:the native-Irish speaking region of Achadh Bolg, Múscraigh, in 
N:County Cork. Reg Hall (2017) also found a reference to Kelleher 
N:as one of the soloists who accompanied step dancing exhibitions 
N:at Gaelic League events in London between 1897 and 1901.  According 
N:to Hall, Kelleher was a young fiddle player active within the 
N:Gaelic League. His name is attached to thirteen tunes in Reidy’s collection. 
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up
Z:AK/Fiddler’s Companion
K:D
B|AFE EFD|DFA AFA|BAB def|gfg e3|
AFE EFD|DFA AFA|BAB d2e|fdd d2:|
|:e|fed faf|ede fdB|AFA def|gfg e2g|
fed faf|ede fdB|AFA d2e|fdd d2:|]
X:3
%
T:Jackson's Morning Brush
N:"Collected by Delaney"
B:O'Neill's 899
Z:Transcribed by Dan G. Petersen, dangp@post6.tele.dk
M:6/8
L:1/8
R:Jig
K:D
D|DFE EFD|DFA AFA|BAB def|gfg e2D|
DFE EFD|DFA AFA|BAB d2e|fdd d2:|
g|fed faf|ede fdB|AFA def|gfg e2g|
fed faf|ede fdB|AFA d2e|fdd d2:|
g|fdf ece|dBd AFA|DFA def|gfg e2g|
fdf ece|dBd AFA|DFA d2e|fdd d2g|
fdf ece|dBd AFA|DFA def|gfg e2g|
afd gec|dcB AFA|DFA d2e|fdd d2||
g|fed faf|gbg faf|fed faf|gfg e2g|
fed faf|gbg faf|fed eag|fdd d2:||
X:1
T:Jackson's Morning Brush
S:Belfast piper R.L. O'Mealy (1873-1947), c. 1945
N:From a handwritten lesson mss.
M:6/8
L:1/8
R:Jig
B: Séan Reid Society Journal No. 1 (March, 1999)
Z:AK/Fiddler's Companion
K:D
A/F/|D2F E2F|DF(A {B}A)F(A|{c}BAB) de(f|{a}gfg) e2 A/F/|
(DAD) E2F|DF(A {B}A)F(A|{c}BA)B d2e|fdc d2:|
|:(f/g/)|{a}fed (fga|bab) efg|{g}fed fg(a|{a}gfg) efg|
fed (fga|bab) ef(g|{a}f)ed efg|fdc d2:|
|:e/(f/|{g}f)ed ece|dc(B {c}AG)F|DFA de(f|{a}gfg) efg|
{a}fed ece|dc(B {c}A)FA|DFA d2e|fdc d2:|]

Tune annotations