Peter Street (1): Difference between revisions
No edit summary |
No edit summary |
||
| Line 9: | Line 9: | ||
|f_accidental=3 sharps | |f_accidental=3 sharps | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AAB, AABB | |f_structure=AAB, AABB, AA'BC | ||
|f_book_title=Gems of Ireland: 200 Airs | |f_book_title=Gems of Ireland: 200 Airs | ||
|f_collector=John Clinton | |f_collector=John Clinton | ||
| Line 90: | Line 90: | ||
D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez| | D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez| | ||
(de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)|| | (de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)|| | ||
</pre> | |||
<pre> | |||
X:1 | |||
% | |||
T:Peter Street [1] | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
N:Reidy had two sharps as key signature. | |||
N:the seventh measure of the 2nd strain (a repeat of the sixth meaaure) | |||
N:was missing in the MS. | |||
S:P.D. Reidy music manuscript collection, London, 1890’s (No. 27) | |||
N:”Professor” Patrick Reidy of Castleisland was a dancing | |||
N:master engaged by the Gaelic League in London to teach | |||
N:dance classes. He introduced “Siege of Ennis” and “Walls | |||
N:of Limerick” ceili dances and wrote a treatise on dancing. | |||
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up | |||
Z:AK/Fiddler’s Companion | |||
K:A | |||
e/d/c/B/|A2 (3cBA eAcA|eAaA fAfA|eA (3cBA eA (3cBA| BEcE dEcE| | |||
A2 (3cBA eAcA|eAaA gAfA|efec eaec|1 BABc A2 e/d/c/B/:|2 BABc A2|| | |||
B/A/G/F/|E2 (3GFE BEcE|BedE cEBE|A2 (3cBA e2 (3cBA|eAaA gAfA| | |||
(ef)ec (ag)af|(ef)ed (ag)af|egag fedc|BAGF EdcB| | |||
A2 (3cBA eAcA|eAaA gAfA|eA (3cBA eA (3cBA|BEcE dEcE| | |||
A2 (3cBA eAcA|eAaA gAfA|efec eaec|BABc A2|| | |||
</pre> | </pre> | ||
<pre> | <pre> | ||
Revision as of 05:13, 6 February 2018
Tune annotations
X:1
%
T:Sweet Peter Street
T:Peter Street [1]
M:C
L:1/8
R:Reel
Q:"Allegro Spiritoso"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 189, p. 98)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:D
d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}ed .a.d.b.d|cAeA fAeA|
D2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|(aba).f (ad').a.f|{f}(ed)(ef) d2d2:||
.A2 .c.A. eA{c}(BA)|.e.A.g.A. f.A.e.A|.d2 {f}(ed) ad{f}(ed)|ad d'd c'dbd|
(ab).a.f (d'c').d'.b|(ab).a.f (d'c').c'.b|(a/d').c'.b (ag).f.e|(dc).B.A ^(GA).B.c|
d2 {f}(ed) .a.f{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}(ed) .a.d.bd|cAeA fAeA|
d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d c'..d.b.d|(ab)af (ad').a.f|{f}(ed) (ef) d2d2||
X:1 % T:Peter Street [1] M:4/4 L:1/8 R:Reel Q:"Presto" S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 11) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:G D|OG2 (3BAG dGBG|dGgG fGeG|G2 (3BAG dGBG|ADcD BDAD| G2 (3BAG dGBG|dGgG fGeG|dedB dgdB|AGAB A2 z!Fine!|| D|D2 (3FED ADFD|ADcD BDAD|G2 (3BAG dGBG|dGgG fGeG| d2 (Bd) gfge|d2 (Bd) gfge|dBgf edcB|AGFE DEFD!D.C.!O||
X:1 % T:Peter Street [1] M:C L:1/8 R:Reel Q:"Lively" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 75, p. 32) Z:AK/Fiddler’s Companion K:A A2 (3cBA eA (3cBA|eAaA gAfA|eA (3cBA eAfA|BEcE dEBE| A2 (3cBA eA (3cBA|eAaA gAfA|efec eaec|BABc A2z2|| E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA| efec agaf|efec agaf|ecag fedc|BAGF EFGE||
X:1 % T:Peter Street Dance M:C| L:1/8 R:Reel S:The mid-19th cent. music manuscript collection of James Goodman (County Cork, p. 106) F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=109&z=670.7736%2C850.3037%2C8849.1449%2C5360 Z:AK/Fiddler’s Companion K:G G2 (BG) (dc)(BG)|Gz gz fz ez|(de)(dB) (de)(dB)|(AG)(FG) (Ac)(BA)| G2 BG (dcBA)|gz gz fz ez|(de)(dB) (de)(dB)|(AG)(AB) G2z2|| D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez| (de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)||
X:1 % T:Peter Street [1] M:C| L:1/8 R:Reel N:Reidy had two sharps as key signature. N:the seventh measure of the 2nd strain (a repeat of the sixth meaaure) N:was missing in the MS. S:P.D. Reidy music manuscript collection, London, 1890’s (No. 27) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:A e/d/c/B/|A2 (3cBA eAcA|eAaA fAfA|eA (3cBA eA (3cBA| BEcE dEcE| A2 (3cBA eAcA|eAaA gAfA|efec eaec|1 BABc A2 e/d/c/B/:|2 BABc A2|| B/A/G/F/|E2 (3GFE BEcE|BedE cEBE|A2 (3cBA e2 (3cBA|eAaA gAfA| (ef)ec (ag)af|(ef)ed (ag)af|egag fedc|BAGF EdcB| A2 (3cBA eAcA|eAaA gAfA|eA (3cBA eA (3cBA|BEcE dEcE| A2 (3cBA eAcA|eAaA gAfA|efec eaec|BABc A2||
X:1 % T:Peter Street [1] M:C| L:1/8 R:Reel K:A A2 (3cBA eA (3cBA|eA aA gA fA|eA (3cBA eA fA|BE dE cE BE| A2 (3cBA eA (3cBA|eA aA gA fA|ef ec ea ec|BA Bc A4:| |:E2 (3GFE BE (3GFE|BE dE cE BE|A2 (3cBA eA (3cBA|eA aA gA fA| e^d ec ag af|e^d ec ag af|ec ag fe dc|BA GF EF GE:|]