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'''FUNNY TAILOR, THE''' ("Tailliuir an magaid" or "Gaueger meisceach (An)"). AKA and see "[[Lark in the Clear Air (2)]]," "[[Return Home (1) (The)]]." Irish, Set Dance (6/8 or 9/8 time). G Major. Standard tuning (fiddle). In modern times The Funny Tailor is one of the jig time set dances performed in competitions sponsored by An Coimisiún le Rincí Gaelachha (The Irish Dance Commission, Dublin). Instead of a traditional pattern of steps, however, each dance teacher choreographs original steps for their students to dance this tune to. Among dancers, it is also referred to as The Drunken Gauger, although there is another unrelated set dance tune by that name and there is some resultant confusion between the tunes for that reason. P.W. Joyce ('''Ancient Irish Music''', 1873) writes: "We have a class of Irish airs, each phrase of which consists of the unusual number of five bars. To this class belong Bunting's air '[[Pretty Red Girl (The)]]', (known in Munster as '[[Banathee haive]]'); '[[Red Haired Man's Wife (The)]]', '[[Drahareen-o-machree]]', (p. 39 of this book); and many others. Most of them are slow tunes; but a few like the present are quick. Some would perhaps reduce tunes like this to six-eight time, by doubling the length of every fifth bar (which could be done by prolonging the crotchet to the length of five quavers, i.e. dotted crotchet and crotchet); but to do so in the present case, would be simply to falsify the tune. The set dance was adapted to it in the way in which I give it here."   
'''FUNNY TAILOR, THE''' ("Tailliuir an magaid" or "Gaueger meisceach (An)"). AKA and see "[[Lark in the Clear Air (2)]]," "[[Return Home (1) (The)]]." Irish, Set Dance (6/8 or 9/8 time). G Major. Standard tuning (fiddle). In modern times The Funny Tailor is one of the jig-time set dances performed in competitions sponsored by An Coimisiún le Rincí Gaelachha (The Irish Dance Commission, Dublin). Instead of a traditional pattern of steps, however, each dance teacher choreographs original steps for their students to dance this tune to. Among dancers, it is also referred to as The Drunken Gauger, although there is another unrelated set dance tune by that name and there is some resultant confusion between the tunes for that reason. P.W. Joyce ('''Ancient Irish Music''', 1873) writes: "We have a class of Irish airs, each phrase of which consists of the unusual number of five bars. To this class belong Bunting's air '[[Pretty Red Girl (The)]]', (known in Munster as '[[Banathee haive]]'); '[[Red Haired Man's Wife (The)]]', '[[Drahareen-o-machree]]', (p. 39 of this book); and many others. Most of them are slow tunes; but a few like the present are quick. Some would perhaps reduce tunes like this to six-eight time, by doubling the length of every fifth bar (which could be done by prolonging the crotchet to the length of five quavers, i.e. dotted crotchet and crotchet); but to do so in the present case, would be simply to falsify the tune. The set dance was adapted to it in the way in which I give it here."   
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Revision as of 04:43, 28 February 2018

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FUNNY TAILOR, THE ("Tailliuir an magaid" or "Gaueger meisceach (An)"). AKA and see "Lark in the Clear Air (2)," "Return Home (1) (The)." Irish, Set Dance (6/8 or 9/8 time). G Major. Standard tuning (fiddle). In modern times The Funny Tailor is one of the jig-time set dances performed in competitions sponsored by An Coimisiún le Rincí Gaelachha (The Irish Dance Commission, Dublin). Instead of a traditional pattern of steps, however, each dance teacher choreographs original steps for their students to dance this tune to. Among dancers, it is also referred to as The Drunken Gauger, although there is another unrelated set dance tune by that name and there is some resultant confusion between the tunes for that reason. P.W. Joyce (Ancient Irish Music, 1873) writes: "We have a class of Irish airs, each phrase of which consists of the unusual number of five bars. To this class belong Bunting's air 'Pretty Red Girl (The)', (known in Munster as 'Banathee haive'); 'Red Haired Man's Wife (The)', 'Drahareen-o-machree', (p. 39 of this book); and many others. Most of them are slow tunes; but a few like the present are quick. Some would perhaps reduce tunes like this to six-eight time, by doubling the length of every fifth bar (which could be done by prolonging the crotchet to the length of five quavers, i.e. dotted crotchet and crotchet); but to do so in the present case, would be simply to falsify the tune. The set dance was adapted to it in the way in which I give it here."

Source for notated version: "From (the Irish collector) Mr. Joyce" [Stanford/Petrie].

Printed sources: Joyce (Ancient Irish Music), 1873; No. 69, pp. 70-71. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 960, p. 165. Stanford/Petrie (Complete Collection), 1905; No. 594, p. 150. Stanford/Petrie (Complete Collection), 1905; No. 1517, p. 379. Stanford/Petrie (Complete Collection), 1905; No. 594, p. 150.

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