Annotation:Royal Quickstep (1): Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
Line 10: Line 10:
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<br>
<br>
'''ROYAL QUICKSTEP [1], THE.''' AKA - "Royal Quick Step." English, March (6/8 time). G Major. Standard tuning (fiddle). AAB. The "Royal Quick Step" is contained in a few instrumental tutors of the second decade of the 19th century, including William Whitely's '''Instrumental Preceptor''' (1816, Utica, NY) and E. Goodale's '''Instrumental Director''' (1819, Hallowell), however, it was composed in the late 18th century as a harmony part to the melody was printed by Thomas Calvert in his 1799 collection. Calvert was a musician from Kelso, Scotland, and a note with the collection states that Calvert supplied “a variety of music and instruments, instruments lent out, tun’d and repaired.” In North American, the tune was entered in the 1793 music copybook of Miss Caroline Rachel Frobisher of Montreal, Canada, and the 1819 manuscript collection of Daniel Henry Huntington (Onondaga, NY). English musicians' manuscript collections also contain the tune, including Rev. R. Harrison (c. 1815, Temple Sowerby, Cumbria), James Winder (1835-41, Lancashire), and T.J.Dixon (1798, Lincolnshire).
'''ROYAL QUICKSTEP [1], THE.''' AKA - "Royal Quick Step." English, March (6/8 time). G Major. Standard tuning (fiddle). AAB. The "Royal Quick Step" is contained in a few instrumental tutors of the second decade of the 19th century, including William Whitely's '''Instrumental Preceptor''' (1816, Utica, NY) and Ezekial Goodale's '''Instrumental Director''' (1819, Hallowell), however, it was composed in the late 18th century as a harmony part to the melody was printed by Thomas Calvert in his 1799 collection. Calvert was a musician from Kelso, Scotland, and a note with the collection states that Calvert supplied “a variety of music and instruments, instruments lent out, tun’d and repaired.” In North American, the tune was entered in the 1793 music copybook of Miss Caroline Rachel Frobisher of Montreal, Canada, and the 1819 manuscript collection of Daniel Henry Huntington (Onondaga, NY). English musicians' manuscript collections also contain the tune, including Rev. R. Harrison (c. 1815, Temple Sowerby, Cumbria), James Winder (1835-41, Lancashire), and T.J.Dixon (1798, Lincolnshire).  Irishman John Clark (Dublin) entered the march in his 1793 manuscript.
<br>
<br>
<br>
<br>
Line 30: Line 30:
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="Century Gothic" size="2">
<font color=red>''Recorded sources'': </font> <font color=teal> - </font>
<font color=red>''Recorded sources'': </font> <font color=teal> - Goodale ('''Instrumental Director'''), 1819; p. 50 [https://books.google.com/books?id=yL7TVqbGGscC&pg=PT1&lpg=PT1&dq=%22royal+quick+step%22&source=bl&ots=zQp1PIB_g5&sig=VQ4PueI1vI6zGFqj7lVo0TiuxlI&hl=en&sa=X&ved=0ahUKEwjLpPWO3rLaAhUFVd8KHdZwAqcQ6AEIYDAO#v=onepage&q=%22royal%20quick%20step%22&f=false] (arranged for four instruments). </font>
</font></p>
</font></p>
<br>
<br>

Revision as of 20:06, 11 April 2018


X: 1 T:Royal Quick Step,The. TJD.08 T:Boys and Girls Come Out to Play,aka TJD.08 M:6/8 L:1/8 Q:1/4=120 S:T.J.Dixon MS1, Lincolnshire, 1798 R:quick step N:First d changed from crotchet to quaver A:Lincolnshire, Holton le Moor Z:vmp.R.Greig2010 K:G d|B2gc2e|d2BA2B|(ABA)c2A|"^all crotchets in MS"d2BG2d|! B2gc2e|d2BA2B|AcB AGF|G3G3:|! |:d|gag fef|gfe def|gag fef|(g3g2)d|! gag fef|gfe def|gag fef|g3 g2:|



ROYAL QUICKSTEP [1], THE. AKA - "Royal Quick Step." English, March (6/8 time). G Major. Standard tuning (fiddle). AAB. The "Royal Quick Step" is contained in a few instrumental tutors of the second decade of the 19th century, including William Whitely's Instrumental Preceptor (1816, Utica, NY) and Ezekial Goodale's Instrumental Director (1819, Hallowell), however, it was composed in the late 18th century as a harmony part to the melody was printed by Thomas Calvert in his 1799 collection. Calvert was a musician from Kelso, Scotland, and a note with the collection states that Calvert supplied “a variety of music and instruments, instruments lent out, tun’d and repaired.” In North American, the tune was entered in the 1793 music copybook of Miss Caroline Rachel Frobisher of Montreal, Canada, and the 1819 manuscript collection of Daniel Henry Huntington (Onondaga, NY). English musicians' manuscript collections also contain the tune, including Rev. R. Harrison (c. 1815, Temple Sowerby, Cumbria), James Winder (1835-41, Lancashire), and T.J.Dixon (1798, Lincolnshire). Irishman John Clark (Dublin) entered the march in his 1793 manuscript.

The earliest sound recording of a tune called “Royal Quickstep” (a rather generic-sounding title) is on the 2nd Barrel, 6th tune, of a mechanical Chamber Barrel Organ [1], hand-built by John Langshaw (1718-1798), Organ Maker, Lancaster, c. 1785. The organ is one of three surviving Langshaw organs.

Additional notes

Source for notated version: -

Printed sources : -

Recorded sources: - Goodale (Instrumental Director), 1819; p. 50 [2] (arranged for four instruments).



Back to Royal Quickstep (1)