Peter Street (1)

Tune annotations

---

X:1
%
T:Untitled
T:Peter Street [1]
M:2/4
L:1/8
R:Reel
S:Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, p. 44)
Z:AK/Fiddler’s Companion
K:G
G (3B/A/G/ d/G/ (3B/A/G/|d/G/ g/G/ f/G/ e/G/|G (3B/A/G/ d/G/ (3B/A/G/|F/D/A/D/ B/D/A/D/|
G (3B/A/G/ d/G/ (3B/A/G/|d/G/ g/G/ f/G/  e/G/|d/^c/d/B/ d/g/d/B/|A/G/A/B/ G2:|
|:D (3F/E/D/ A/D/ (3F/E/D/|c/D/B/D/ A/D/G/D/|G (3B/A/G/ d/G/ (3B/A/G/|d/G/g/G/ f/G/e/G/|
d/^c/d/B/ g/f/g/e/|d/^c/d/B/ g/f/g/e/|d/B/g/f/ e/d/c/B/|A/G/F/E/ D/E/F/D/:|

X:1
%
T:Sweet Peter Street
T:Peter Street [1]
M:C
L:1/8
R:Reel
Q:"Allegro Spiritoso"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 189, p. 98)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:D
d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}ed .a.d.b.d|cAeA fAeA|
D2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|(aba).f (ad').a.f|{f}(ed)(ef) d2d2:||
.A2 .c.A. eA{c}(BA)|.e.A.g.A. f.A.e.A|.d2 {f}(ed) ad{f}(ed)|ad d'd c'dbd|
(ab).a.f (d'c').d'.b|(ab).a.f (d'c').c'.b|(a/d').c'.b (ag).f.e|(dc).B.A ^(GA).B.c|
d2 {f}(ed) .a.f{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}(ed) .a.d.bd|cAeA fAeA|
d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d c'..d.b.d|(ab)af (ad').a.f|{f}(ed) (ef) d2d2||

X:1
%
T:Peter Street [1]
M:4/4
L:1/8
R:Reel
Q:"Presto"
S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 11)
S: http://archive.org/details/MEEamesBook
N:Eames was perhaps from Philadelphia
Z:AK/Fiddler’s Companion
K:G
D|OG2 (3BAG dGBG|dGgG fGeG|G2 (3BAG dGBG|ADcD BDAD|
G2 (3BAG dGBG|dGgG fGeG|dedB dgdB|AGAB A2 z!Fine!||
D|D2 (3FED ADFD|ADcD BDAD|G2 (3BAG dGBG|dGgG fGeG|
d2 (Bd) gfge|d2 (Bd) gfge|dBgf edcB|AGFE DEFD!D.C.!O||

X:1
%
T:Peter Street [1]
M:C
L:1/8
R:Reel
Q:"Lively"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 75, p. 32)
Z:AK/Fiddler’s Companion
K:A
A2 (3cBA eA (3cBA|eAaA gAfA|eA (3cBA eAfA|BEcE dEBE|
A2 (3cBA eA (3cBA|eAaA gAfA|efec eaec|BABc A2z2||
E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA|
efec agaf|efec agaf|ecag fedc|BAGF EFGE||

X:1
%
T:Peter Street Dance
M:C|
L:1/8
R:Reel
S:The mid-19th cent. music manuscript collection of James Goodman (County Cork, p. 106)
F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=109&z=670.7736%2C850.3037%2C8849.1449%2C5360
Z:AK/Fiddler’s Companion
K:G
G2 (BG) (dc)(BG)|Gz gz fz ez|(de)(dB) (de)(dB)|(AG)(FG) (Ac)(BA)|
G2 BG (dcBA)|gz gz fz ez|(de)(dB) (de)(dB)|(AG)(AB) G2z2||
D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez|
(de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)||

X:1
%
T:Peter Street [1]
M:C|
L:1/8
R:Reel
N:Reidy had two sharps as key signature. 
N:the seventh measure of the 2nd strain (a repeat of the sixth meaaure) 
N:was missing in the MS. 
S:P.D. Reidy music manuscript collection, London, 1890’s (No. 27)
N:”Professor” Patrick Reidy of Castleisland was a dancing 
N:master engaged by the Gaelic League in London to teach 
N:dance classes. He introduced “Siege of Ennis” and “Walls 
N:of Limerick” ceili dances and wrote a treatise on dancing.  
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up
Z:AK/Fiddler’s Companion
K:A
e/d/c/B/|A2 (3cBA eAcA|eAaA fAfA|eA (3cBA eA (3cBA| BEcE dEcE|
A2 (3cBA eAcA|eAaA gAfA|efec eaec|1 BABc A2 e/d/c/B/:|2 BABc A2||
B/A/G/F/|E2 (3GFE BEcE|BedE cEBE|A2 (3cBA e2 (3cBA|eAaA gAfA|
(ef)ec (ag)af|(ef)ed (ag)af|egag fedc|BAGF EdcB|
A2 (3cBA eAcA|eAaA gAfA|eA (3cBA eA (3cBA|BEcE dEcE|
A2 (3cBA eAcA|eAaA gAfA|efec eaec|BABc A2||

X:1
%
T:Peter Street [1]
M:C|
L:1/8
R:Reel
K:A
A2 (3cBA eA (3cBA|eA aA gA fA|eA (3cBA eA fA|BE dE cE BE|
A2 (3cBA eA (3cBA|eA aA gA fA|ef ec ea ec|BA Bc A4:|
|:E2 (3GFE BE (3GFE|BE dE cE BE|A2 (3cBA eA (3cBA|eA aA gA fA|
e^d ec ag af|e^d ec ag af|ec ag fe dc|BA GF EF GE:|]

---