Annotation:Wedding March from Unst: Difference between revisions

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'''WEDDING MARCH FROM UNST.''' AKA - "[[Unst Bridal March]]/[[Unst Wedding March]]." Shetland, March (irregular time). G March (Brody): A Major (Martin). Standard  (Brody) or AEae (Martin) tunings (fiddle). AAB. With this tune the fiddler led the wedding couple from the church to the bride's house for the party, accompanied in the lead by a ‘gunman’ who shot a rifle at intervals to frighten evil spirits and insure luck to the gathering. Wedding marches were a common Scandinavian practice, imported to the Shetlands during the Scandinavian colonization period, and Christine Martin (2002) says the march is sometimes still played in Norway.  
'''WEDDING MARCH FROM UNST.''' AKA - "[[Unst Bridal March]]/[[Unst Wedding March]]." Shetland, March (irregular time). G March (Brody): A Major (Martin). Standard  (Brody) or AEae (Martin) tunings (fiddle). AAB. With this tune the fiddler led the wedding couple from the church to the bride's house for the party, accompanied in the lead by a ‘gunman’ who shot a rifle at intervals to frighten evil spirits and insure luck to the gathering. Pat Shuldham-Shaw remarks: "This tune was used to accompany the procession from the Kirk after the marriage service. From almost every house passed on the way there would come a fiddler onto the doorstep who would play this tune as the procession passed"<ref>Pat Shuldham-Shaw ("Folk Music and Dance in Shetland", '''Journal of the English Folk Dance and Song Society'''), vol. V, No. 2, 1947; p. 79</ref>Wedding marches were a common Scandinavian practice, imported to the Shetlands during the Scandinavian colonization period, and Christine Martin (2002) says the march is sometimes still played in Norway.  
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''Printed sources'': Anderson ('''Haand Me Doon da Fiddle'''), 1979; No. 28. Brody ('''Fiddler’s Fakebook'''), 1983; p. 287. Martin ('''Traditional Scottish Fiddling'''), 2002; p. 97.  
''Printed sources'': Anderson ('''Haand Me Doon da Fiddle'''), 1979; No. 28. Brody ('''Fiddler’s Fakebook'''), 1983; p. 287. Martin ('''Traditional Scottish Fiddling'''), 2002; p. 97. Pat Shuldham-Shaw ("Folk Music and Dance in Shetland", '''Journal of the English Folk Dance and Song Society'''), vol. V, No. 2, 1947; p. 79.  
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Revision as of 21:25, 7 June 2018

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WEDDING MARCH FROM UNST. AKA - "Unst Bridal March/Unst Wedding March." Shetland, March (irregular time). G March (Brody): A Major (Martin). Standard (Brody) or AEae (Martin) tunings (fiddle). AAB. With this tune the fiddler led the wedding couple from the church to the bride's house for the party, accompanied in the lead by a ‘gunman’ who shot a rifle at intervals to frighten evil spirits and insure luck to the gathering. Pat Shuldham-Shaw remarks: "This tune was used to accompany the procession from the Kirk after the marriage service. From almost every house passed on the way there would come a fiddler onto the doorstep who would play this tune as the procession passed"[1]Wedding marches were a common Scandinavian practice, imported to the Shetlands during the Scandinavian colonization period, and Christine Martin (2002) says the march is sometimes still played in Norway.

Source for notated version: Boys of the Lough (Ireland/Shetland) [Brody].

Printed sources: Anderson (Haand Me Doon da Fiddle), 1979; No. 28. Brody (Fiddler’s Fakebook), 1983; p. 287. Martin (Traditional Scottish Fiddling), 2002; p. 97. Pat Shuldham-Shaw ("Folk Music and Dance in Shetland", Journal of the English Folk Dance and Song Society), vol. V, No. 2, 1947; p. 79.

Recorded sources: Front Hall FHR 021, John McCutcheon - "Barefoot Boy with Boots On" (1981. Learned from fiddler Aly Bain). Great Meadow Music GMM 2002, Rodney Miller & David Surette – “New Leaf” (2000). Philo 2019, Anderson and Bain - "The Silver Bow." Shanachie 79002, "The Boys of the Lough" (1973). Trailer 2086 - "Boys of the Lough."




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  1. Pat Shuldham-Shaw ("Folk Music and Dance in Shetland", Journal of the English Folk Dance and Song Society), vol. V, No. 2, 1947; p. 79