Arkansas Traveler (1): Difference between revisions
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d/e/f/d/ B/c/d/B/|AA Bd|d/c/d/A/ B/d/A/d/|f/d/e/c/ d2|| | d/e/f/d/ B/c/d/B/|AA Bd|d/c/d/A/ B/d/A/d/|f/d/e/c/ d2|| | ||
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|:GA|B2d2 dBGA|B2d2d3d|e2f2 gfed|c2e2e3d| | |:GA|B2d2 dBGA|B2d2d3d|e2f2 gfed|c2e2e3d| | ||
g2g2 d2B2|dedB A2 GA|BGAG E2D2|E2 G>A G2:|] | g2g2 d2B2|dedB A2 GA|BGAG E2D2|E2 G>A G2:|] | ||
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Revision as of 03:00, 24 June 2018
Tune annotations
X:2 % T:Arkanses Traveller [sic] [1] M:2/4 L:1/8 S:William Sydney Mount manuscripts N:Mount annotates his manuscript page with “Stony Brook (Long Island, New York) N:August 22nd, (18)52” and “As played by P(?).J. Cook.” At the end of the first part is the N:note “octave 2nd time,” meaning presumably that probably the first eight bars are to be N:played an octave higher as a variation when the whole tune is repeated, probably with N:the two bar ending that Mount entered at the top of the page. Interestingly, Mount’s N:manuscript predates the first known publication of the melody, in Buffalo, N.Y., by N:Blodgett & Bradford in 1858, although the tune and the story of the traveler and the N:country fiddler were known to be in circulation some two decades beforehand, N:stemming probably from plantation sources and then to the minstrel stage. Z:Transcribed and annotated by Andrew Kuntz K:D (D/E/)F/D/ B,B,/D/ | A,A,/B,/ DD | EE FF | D/E/F/D/ B,D | (D/E/)F/D/ B,(B,/D/) | A,A,/B,/ DA | (d/c/)(d/A/) (B/d/)(A/G/) | (F/D/)(E/F/) D2 :| |:(a/g/)f/a/ (g/f/)e/g/ | (f/e/)d/f/ (e/c/)A2 | d/d/d e/e/e | (f/e/)d/f/ e2 | (a/g/)f/a/ (g/f/)e/g/ | (f/e/)d/f/ (e/c/)A | (d/c/)d/A/ (B/d/)A/G/ | (F/D/)E/F/ D2 :|
X:1 % T:Arkansas Traveler M:2/4 L:1/8 R:Buckley’s New Banjo Method (1860, p. 30) Z:AK/Fiddler’s Companion K:A A/>B/c/>A/ FA|E/>B/(3e/B/G/ Ac/e/|d>e c>e|c/>B/A/>c/ B/>G/F/>E/| A/>B/c/>A/ FA|E/>B/(3e/B/G/ A>e|a/>e (3e/e/e/ f/>e/e/>e/|(3d/B/B/ (3B/e/B/ Az:|| e/>d/c/>e/ d/>c/B/>d/|c/>B/A/>c/ B/G/E|Ac/A/ GB|A/>c/ (3e/c/e/ Bz| e/>d/c/>e/ d/>c/B/>d/|c/>BA/>c/ B/G/E|A/A/ zE/ F/>E/C/>A,/|BC A,2|| e/>d/=c/>e/ d/>c/B/>d/|=c/>B/A/>c/ B/G/E|A=c/>A/ GB|A/>=c/(3e/c/e/ Bz| e/>d/=c/>e/ d/>=c/B/>d/|=c/>B/A/>c/ B/>G/E|A/A/ z/E/ =F/>E/C/>A,/|z/ B,/ =CA,z||
X:1 % T:Arkansas Traveler M:2/4 L:1/8 R:Contra Dance Tune B:Elias Howe – Musician’s Omnibus No. 1 (1862, p. 47) Z:AK/Fiddler’s Companion K:D dd BB|AA Bd|ff ee|d/f/e/d/ BA| d/e/f/d/ B/c/d/B/|AA Bd|d/c/d/A/ B/d/A/G/|F/D/E/D/ D2| dd BB|AA Bd|ee ff|de/d/ BA|| (3ABc d/e/f/d/ |dd BB|AA Bd|ff ee|d/e/f/d/ B/c/d/B/| d/e/f/d/ B/c/d/B/|AA Bd|d/c/d/A/ B/d/A/d/|f/d/e/c/ d2||
X:1 % T:Sugar Gourd M:C L:1/8 R:Reel N:A version of B:Septimus Winner - Excelsior Collection for the Violin (1864) Z:AK/Fiddler's Companion K:G BA|GAGE DB,G,B,|D2 D>E D2 GA|B2d2 dBGA|B2 A>B A2 BA| G2 GA GEDB,|D2 D>E D2 GA|B2d2 dBGA|B GG G2:| |:GA|B2d2 dBGA|B2d2d3d|e2f2 gfed|c2e2e3d| g2g2 d2B2|dedB A2 GA|BGAG E2D2|E2 G>A G2:|]
X:1 % T:Arkansas Traveler, The M:4/4 L:1/8 S:Capt. F. O'Neill Z:Paul Kinder R:Reel K:G d2|GBAG E2 GE|D2 DD E2 G2|ABAG TB2 BG|ABAG TE2 D2| GBAG E2 GE|D2 DD G2 Bd|gfgd (3efg dc|BGAF G2|| Bc|dcBd cBAc|BAGB AFDF|GEGB AFAc|BAGB A2 Bc| dcBd cBAc|BAGB AFDF|gfgd (3efg dc|BGAF G2||