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'''MORDUANT'S HORNPIPE.''' AKA - "Morduant's House." AKA and see "[[Negro Sand Dance]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Philippe Varlet says the tune appears to have vaudeville connections and was even recorded on a 78 RPM disc as (unfortunately) "N....r Breakdown" by Irish accordion player Terry Lane.  
'''MORDUANT'S HORNPIPE.''' AKA - "Morduant's House." AKA and see "[[Negro Sand Dance]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Fiddler and musicologist Philippe Varlet believes the tune may have vaudeville connections and was even recorded on a 78 RPM disc as "N....r Breakdown" by Irish accordion player Terry Lane. Lane's offensive title links the Irish hornpipe with a hornpipe called "[[Negro Sand Jig]]" printed in James S. Kerr's '''Merry Melodies, vol. 4''' (c. 1880's). The Irish hornpipe is cognate, but distanced, and retains enough points of similarity to be considered a derivative. 
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Revision as of 05:00, 26 July 2018

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MORDUANT'S HORNPIPE. AKA - "Morduant's House." AKA and see "Negro Sand Dance." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Fiddler and musicologist Philippe Varlet believes the tune may have vaudeville connections and was even recorded on a 78 RPM disc as "N....r Breakdown" by Irish accordion player Terry Lane. Lane's offensive title links the Irish hornpipe with a hornpipe called "Negro Sand Jig" printed in James S. Kerr's Merry Melodies, vol. 4 (c. 1880's). The Irish hornpipe is cognate, but distanced, and retains enough points of similarity to be considered a derivative.

Source for notated version:

Printed sources: Roche (Collection of Traditional Irish Music, vol. 3), 1927; No. 177, p. 62.

Recorded sources:




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