Annotation:Nights of Gladness (4): Difference between revisions

Revision as of 05:20, 22 September 2018

NIGHTS OF GLADNESS [4]. AKA and see "Johnny Cope (1)," "Johnny Cope (2)." Irish, Quadrille Figure (2/4 time). G Major. Standard tuning (fiddle). AA'BB'AA'CC'. The fourth part of a quadrille set. Alan Jabbour finds the second (also the fourth) strain to be a version of the tune that Appalachian fiddler Henry Reed played as "Santa Anna's Retreat."

Additional notes

Source for notated version: -

Printed sources : - Roche (Traditional Irish Music, vol. 3), 1927; No. 196, pp. 73-74.

Recorded sources: -

Back to Nights of Gladness (4)

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-'''NIGHTS OF GLADNESS [4].''' Irish, Quadrille Figure (2/4 time). G Major. Standard tuning (fiddle). AA'BB'AA'CC'.  The fourth part of a quadrille set.  Alan Jabbour finds the second (also the fourth) strain to be a version of the tune that Appalachian fiddler Henry Reed played as "[[Santa Anna's Retreat]]."
+'''NIGHTS OF GLADNESS [4].''' AKA and see "[[Johnny Cope (1)]]," "[[Johnny Cope (2)]]." Irish, Quadrille Figure (2/4 time). G Major. Standard tuning (fiddle). AA'BB'AA'CC'.  The fourth part of a quadrille set.  Alan Jabbour finds the second (also the fourth) strain to be a version of the tune that Appalachian fiddler Henry Reed played as "[[Santa Anna's Retreat]]."
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