Annotation:Cane Brake (1): Difference between revisions
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'''CANE BRAKE [1]'''. AKA - "Canebreak," "Canebrake," "Down in the Canebreak." Texas-Style, Breakdown. D Major ('A' and 'B' parts) & B Flat Major ('C' part). Standard tuning (fiddle). ABBC. "Canebreak" has been a popular 'choice' tune at modern Western fiddle contests, though often only the first two parts are played (sometimes the 'A' part is repeated in the key of G Major as a third part, and the tune is played ABCA). The tune was derived from a two-part classical piece composed by Samuel Gardner entitled "From the Canebrakes" (perhaps recorded by Heifitz on a 78RPM), although fiddle versions have evolved with an added section in 'G'. The melody was apparently being played at a Texas jam session attended by fiddler Benny Thomasson when the guitar players began playing G Major chords during the piece and Thomasson simply followed them, "creating" the third part. The tune was recorded by Dale Morris (with the third part in G Major). | '''CANE BRAKE [1]'''. AKA - "Canebreak," "Canebrake," "Down in the Canebreak." Texas-Style, Breakdown. D Major ('A' and 'B' parts) & B Flat Major ('C' part). Standard tuning (fiddle). ABBC. "Canebreak" has been a popular 'choice' tune at modern Western fiddle contests, though often only the first two parts are played (sometimes the 'A' part is repeated in the key of G Major as a third part, and the tune is played ABCA). The tune was derived from a two-part classical piece composed by Samuel Gardner entitled "From the Canebrakes" (perhaps recorded by Heifitz on a 78RPM), although fiddle versions have evolved with an added section in 'G'. The melody was apparently being played at a Texas jam session attended by fiddler Benny Thomasson when the guitar players began playing G Major chords during the piece and Thomasson simply followed them, "creating" the third part. The tune was recorded by Dale Morris (with the third part in G Major). | ||
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''Source for notated version'': | <p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - Argel Walker [Phillips]. | |||
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''Printed sources'': Phillips (Traditional American Fiddle Tunes | <font color=red>''Printed sources''</font> : - Phillips ('''Traditional American Fiddle Tunes, vol. 2'''), 1995; p. 29. | ||
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''Recorded sources'': <font color=teal>Dale Morris - "New for 78."</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Dale Morris - "New for 78." </font> | ||
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Revision as of 16:24, 24 December 2018
X:1 T:Cane Break [1] M:C| L:1/8 B:Phillps-Traditional American Fiddle Tunes vol. 2 (1995, p. 29) K:D [fa][f2b2][fb][f3b3][Ae]|[fa][f3b3]-[B2f2] f-g|abaf ecAF|[F6d6]z2|...
CANE BRAKE [1]. AKA - "Canebreak," "Canebrake," "Down in the Canebreak." Texas-Style, Breakdown. D Major ('A' and 'B' parts) & B Flat Major ('C' part). Standard tuning (fiddle). ABBC. "Canebreak" has been a popular 'choice' tune at modern Western fiddle contests, though often only the first two parts are played (sometimes the 'A' part is repeated in the key of G Major as a third part, and the tune is played ABCA). The tune was derived from a two-part classical piece composed by Samuel Gardner entitled "From the Canebrakes" (perhaps recorded by Heifitz on a 78RPM), although fiddle versions have evolved with an added section in 'G'. The melody was apparently being played at a Texas jam session attended by fiddler Benny Thomasson when the guitar players began playing G Major chords during the piece and Thomasson simply followed them, "creating" the third part. The tune was recorded by Dale Morris (with the third part in G Major).